Engine Sound Effects

Polaris Motor AM-FIB ultralight trike sound effects covering flybys, takeoffs, landings, ground taxiing, idles, revs, false starts and cockpit Foley across 33 files recorded at 32-bit float / 192 kHz.

Cessna Skyhawk II 172M sound effects spanning 63 files of flybys, ground taxi, takeoffs, landings, false starts and cockpit Foley, recorded at 32-bit float / 192 kHz.

Sci-fi texture sound effects spanning alien noise, crystals, engine speed-ups and stops, horror ambiences, laser shots, plasma movement, random signals, retro effects, reverses, and soundscapes across 220 WAV files at 96kHz/24-bit.

Sci-fi texture sound effects spanning alien artifacts, desert planet ambience, engines, flames, interference, radio, rotors, and horror abstractions, delivered as 240 files in loop and non-loop versions at 96kHz/24-bit.

NASCAR race sound effects captured on a Grand Prix circuit in NOS and MS stereo, covering test laps, race laps, solo and grouped passes, 8–10m perspectives, and distant soundscapes.

Panavia Tornado sound effects alongside C-130 Hercules, A400M, Boeing and Airbus airliners, Gulfstream APU runs, Piaggio P-180 passes and Chinook landings, captured at 192 kHz including binaural flybys.

Aero East Europe Sila 450 C sound effects covering engine ignition, idle, ground taxiing, fly-bys, fast and slow flight, takeoff and landing from ground and plane perspectives at 192 kHz.

Cessna Aerobat 150K sound effects spanning 41 files of flybys, takeoffs and landings from ground and plane perspectives, ground taxiing, idle, plus cockpit button, handbrake and door Foley, recorded at 192 kHz.

Yamaha Tracer 700 sound effects spanning 105 files of gear-specific driving runs, steady RPM states, revs, pass-bys and mechanical foley in synchronized engine and exhaust perspectives at 192 kHz.

Honda CB900F Hornet sound effects spanning 101 files of phase-aligned engine and exhaust driving, gear sweeps, revs, pass-bys, and mechanical foley recorded at 192 kHz / 32-bit float.

Bombard Explorer motorboat sound effects powered by a 4-stroke Yamaha outboard, covering start-ups, idle, RPM ranges, acceleration, deceleration, shutdowns, and hull water impacts across 335 stereo files at 96kHz/24-bit.

BMW R1300GS sound effects across 96 WAV files, with phase-aligned engine and exhaust perspectives covering gear-by-gear runs, steady RPM holds, pass-bys, ignition cycles and mechanical foley at 192 kHz.

Harley Davidson Electra Glide, Kawasaki ZX-10R, and BMW R1200GS sound effects among ten motorcycles, covering engine and exhaust perspective driving, RPM holds, pass-bys, and mechanical Foley at 192 kHz.

CFMoto 675 SR-R sound effects spanning 99 files of dual-perspective engine and exhaust driving passes, 2000–6000 RPM holds, pass-bys, revving, horn, switchgear, and mechanical Foley at 192kHz.

Yamaha TZR125 sound effects captured in 92 files at 192kHz, with phase-aligned engine and exhaust perspectives covering RPM holds, gear-indexed driving, pass-bys, revs and mechanical Foley.

Micro room tone sound effects paired with designed spaceship, underground chamber, train wagon, freezer, engine and static tones, delivered in Ambisonic, binaural and 7.1.2 formats at 96kHz/24-bit.