Sound effects tag

Bunker Sound Effects

Bunker sound effects from underground and behind thick concrete. Heavy doors grinding and slamming, a rusted steel door in a real wartime bunker groaning and ringing, and room tones from bunkers and other hard spaces. Outside, the war carries on, with distant shelling, artillery and gunfire to hear through the walls. Air whistles through the gaps. Cold and close.

Libraries
11
Publishers
8
Formats
Mono, stereo, M/S, surround, ambisonic
Sample rates
96 kHz
Licence
Royalty-free for commercial work
Price range
$15 to $399.99
96 kHz, 24-bit. Formats: Mono, Stereo.
Extensive military sound effects captured from 22 vantage points, featuring explosions, gunfire, and debris across 627 field recordings, with detailed metadata and mixing sessions included.
627 files · 19.82 GB · Metadata
96 kHz, 24-bit. Formats: Stereo.
Detailed interior and exterior door sound effects featuring creaks, slams, knocks, and locks, recorded in diverse locations from Victorian buildings to prisons at professional 24-bit quality.
583 files · 675 MB · Metadata
96 kHz, 24-bit. Formats: Mono, Stereo, M/S, Surround.
This comprehensive collection delivers authentic sound effects from a 1943 Soviet SU-76, featuring synchronized interior and exterior recordings of engines, tracks, and mechanical operations from multiple angles.
282 files · 25.08 GB · Metadata
96 kHz, 24-bit. Formats: Stereo.
Inside an abandoned WWII bunker, a deteriorating steel door generates haunting, musical sound effects through various interactions, producing harmonics and tones shaped by decades of coastal rust.
87 files · 253 MB · Metadata
96 kHz, 24-bit. Formats: Stereo, Surround.
This comprehensive collection features 459 high-fidelity sound effects of various doors, lifts, and mechanical elements, recorded at 24bit/96khz, complete with professional metadata integration.
459 files · 740 MB · Metadata

A bunker sounds small and hard. Concrete throws every footstep and voice straight back, and the low end of a distant explosion comes through the walls while the top end gets lost. The room tones and impulse responses here help put dialogue in that space. For the world outside, Artillery recordings with long tails work well filtered down. The rest is detail: heavy doors, the draughts in Airflow and the odd shudder when something lands close. War films, survival games and spy thrillers all need a good bunker.

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