96 kHz, 24-bit. Formats: Stereo.
This sound library provides creature wing sound effects, featuring fly-bys, impacts, movements, single/multiple flaps from diverse foley sessions, plus raw and high-resolution recordings.
Publisher
Useful Sound Effects
Useful Sound Effects has 6 sound effects libraries on Sonniss, with the most in Destruction, Creatures & Monsters and Horror.
- Libraries
- 6
- Best spec
- Up to 192 kHz / 24-bit
- Formats
- Mono, stereo
- Latest release
- Prices
- $32 to $79
- Licence
- Royalty-free for commercial work
All 6 libraries from Useful Sound Effects
96 kHz, 24-bit. Formats: Stereo.
A library of over 375 creaking and cracking sound effects, featuring breaking cables, ropes under tension, and metal stress sounds. Includes 192kHz source material.
96 to 192 kHz, 24-bit. Formats: Mono, Stereo.
A library of raw, unprocessed foley sound effects for creature design, featuring high-fidelity 100k acoustic performances with props and textures provided as source material with multiple variations.
192 kHz, 24-bit. Formats: Mono, Stereo.
A high-resolution collection of old object sound effects featuring screeching, scraping, and grinding metal, spinning wheels, and straining mechanical parts. Includes both edited and raw unprocessed recordings.
96 kHz, 24-bit. Formats: Stereo.
A collection of breeze sound effects capturing wind drafts, including structural air pressure, howling and whistling through doors, rattling frames, and cracking elements.
96 kHz, 24-bit. Formats: Stereo.
Comprehensive collection of 225 earthquake sound effects, featuring binaural and stereo recordings that capture indoor, outdoor, and underwater seismic sensations with authentic rumbles, debris, and environmental elements.
$46.00
Add Earthquakes to cartAbout Useful Sound Effects
Graduated as a sound designer in the 90's I love to emphasize the psychological side of sounds. This is important for using sound to image as both need to be in harmony. I created Useful Sound Effects to help people finding sounds that go well with current productions, as well as games. Recording in rare places can be a great thing, but if the recording sounds like just another location, than it was not worth it. I tend to strive for linking the expected to what I offer. My sounds offer enough dynamic range and resolution for user manipulation so they are not over-compressed. Hopefully all names will be useful as a guideline, and all files are UCS compliant.