Pulling Away sound effects for the moment a vehicle leaves the frame. Mostly motorcycles, sport bikes and tourers, pulling off and running up through the gears, recorded from the engine and the exhaust in sync. Proper getaways. A pedal boat pulls away too, quietly, with the pedals and rudder in their own perspectives.
BMW R1300GS sound effects across 96 WAV files, with phase-aligned engine and exhaust perspectives covering gear-by-gear runs, steady RPM holds, pass-bys, ignition cycles and mechanical foley at 192 kHz.
Martini Nautica Sea Buggy 405 pedal boat sound effects covering arrivals, pass-bys, pulling away, and fast, slow and reverse driving from synchronized pedal and rudder perspectives at 192 kHz.
A collection of high-resolution 32bit, 192 kHz wav files featuring driving, foley, mechanical, and electrical sound effects, recorded with various microphones and UCS compatible.
This collection of 39 sound effects features a 2019 Can-Am Ryker 900 motorcycle, including driving, exterior foley, and various mechanical and electrical recordings.
A collection of 18 high-resolution sound effects from an iFlight ProTek35 CineWhoop drone, featuring driving, foley, mechanical, and electrical sounds recorded at 32-bit/192kHz.
A pull-away is a small story: the Engine Idle, the clutch, a bite of throttle and the bike gone. The motorcycle libraries record it from engine and exhaust positions at the same time, phase-aligned on several of them, so the mechanical side and the exhaust can be balanced without phase trouble. They also carry gear-by-gear runs and pass-bys for a getaway that keeps going down the road. Foley fills the gaps. Ignition cycles, the Side Stand and mechanical detail let a rider get on and leave in a single unbroken sequence, and the pedal boat adds arrivals and reverse for a gentler scene on the water.