96 kHz, 24-bit. Formats: Stereo.
Sound effects spanning cyber textures, laser weapon discharges, designed whooshes, and futuristic UI beeps, offering 3,272 modular 96kHz building blocks across 556 files for game and film sound design.
Sound effects tag
Tail Sound Effects
Tail sound effects, mostly the sort that comes after the bang. A heavy machine gun recorded from several distances, fireworks bursting near and far, explosions, and sci-fi blaster shots with stylised tails designed in. There's the other kind as well. Monster tails swinging. Both make a big moment last a bit longer.
- Libraries
- 17
- Publishers
- 10
- Formats
- Mono, stereo, M/S, surround
- Sample rates
- 44.1 to 192 kHz
- Licence
- Royalty-free for commercial work
- Price range
- $9 to $199
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All 17 libraries tagged Tail
96 kHz, 24-bit. Formats: Stereo.
Plasma shot sound effects featuring 256 futuristic weapon recordings, including modular blaster shots, sizzling projectile fly-bys, stylized tails, ricochets, and mechanical foley for sci-fi gun handling and reloads.
$35.00
Add Plasma Shot to cart96 kHz, 24-bit. Formats: Stereo.
A library of fireworks sound effects featuring close-up bursts, distant ambiences with crowd reactions, and isolated single explosions for detailed design work or layering.
96 kHz, 24-bit. Formats: Mono, Stereo, Surround.
Multi-channel sound effects of a Browning M2HB .50 cal, including single shots, bursts, handling foley, and components recorded at two locations with perspectives up to 500m.
96 to 192 kHz, 24-bit. Formats: Stereo.
This library contains 181 mechanical sound effects, including massive gears, creaks, snaps, and machine motion, plus ultrasonic recordings designed for extreme audio manipulation.
96 kHz, 24-bit. Formats: Stereo.
This library contains over 1200 explosion sound effects, covering realistic, sci-fi, and various material types like glass, metal, wood, and underwater.
48 kHz, 16-bit. Formats: Stereo.
Extensively recorded rifle sound effects featuring five weapons, with mechanical details and precise audio captured through twenty microphone positions, including close-range Neumann KRM recordings and distant perspectives.
192 kHz, 24-bit. Formats: Stereo.
Unique waterphone recordings blend cinematic sound effects and swells, featuring expertly manipulated sci-fi and horror-inspired tones captured with contact microphones and violin bows.
96 kHz, 24-bit. Formats: Stereo.
Electromagnetic signals captured from diverse light sources create unique cinematic sound effects, featuring stingers, risers, and impacts ideal for horror, sci-fi, and thriller productions.
96 kHz, 24-bit. Formats: Mono, Stereo, M/S, Surround.
Detailed field recordings capture authentic Mosin-Nagant rifle sound effects from multiple distances, featuring gunshots and handling sounds across diverse environments and perspectives.
96 kHz, 24-bit. Formats: Mono, Stereo, M/S, Surround.
Comprehensive recordings capture authentic Thompson submachine gun sound effects from multiple perspectives, featuring both gunfire variations and detailed handling sounds across 202 high-quality files.
44.1 kHz, 16-bit. Formats: Stereo.
Professionally recorded magical sound effects include ethereal whooshes, mystical spells, and powerful impact sounds that combine otherworldly elements for immersive gaming experiences.
96 kHz, 24-bit. Formats: Stereo.
Energetic torch whooshes feature dynamic sound effects with varying speeds, movement patterns, and deep bass frequencies, suitable for creative audio manipulation and layering.
Only on Sonniss
48 kHz, 24-bit. Formats: Stereo.
Layered sound effects blend bestial vocals, intense creature battles, and atmospheric backgrounds, incorporating growls, screams, and monstrous ambiances suitable for fantasy and action media.
96 kHz, 24-bit. Formats: Stereo.
A comprehensive collection featuring 37 professional explosion sound effects, complemented by 150 bonus audio elements from a larger professional sound library.
96 kHz, 24-bit. Formats: Stereo.
Metal sheets and dry ice interactions produce versatile sound effects, captured in both mono and stereo formats with high sample rates, enabling extensive pitch and ambient manipulation.
A gun or explosion tail is the space talking back, the echo that keeps going after the first crack. Out in the open, distance and terrain shape it, which is why Perspective matters here, with shots heard close and far away. Designed tails do the job on purpose: a sizzle or a ring-out added to a sci-fi shot. Fireworks give natural ones, with crowd reactions somewhere in the distance. In a mix, a separate tail lets the hit stay short and tight while the tail carries the size of the place. The creature side is simpler, a big tail swung through a fight.
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