Sport Bike sound effects from real bikes, ridden hard and recorded close. High revving engines from small race replicas to full superbikes, with mics on the engine and the exhaust running together, so you hear the mechanical side and the howl. Revs, steady holds, gear changes and pass-bys come with it, plus a track day full of bikes going flat out.
This library contains high-resolution 32bit/192kHz sound effects of driving, foley, mechanical, and electrical sources. Files are delivered as WAVs with UCS-compliant metadata.
This library contains 69 sound effects from a Yamaha YZF-R6 2008 motorcycle, featuring driving, exterior foley, plus various mechanical and electrical recordings.
This library contains 97 sound effects of a 1986 Honda VFR750F motorcycle, with driving, exterior foley, mechanical, and electrical recordings in UCS-compliant WAV format.
Extensive 1998 Aprilia RS 125 motorcycle sound effects featuring nine synchronized channels, capturing both exterior and onboard perspectives, including revs, passbys, and acceleration recordings.
Professional motorbike racetrack sound effects recorded from multiple perspectives and microphone setups. Features diverse engine types, raw passbys, approaches, and ambiences from a real track day.
This library contains 97 sound effects from a Yamaha FZ6 2004 motorcycle, featuring driving, foley, mechanical, and electrical recordings in high-resolution, UCS-compliant WAV format.
High-quality motorcycle sound effects featuring three distinct bikes, with extensive multi-channel recordings capturing onboard details, exterior perspectives, and comprehensive riding scenarios from idle to full acceleration.
Modern vehicle sound effects encompassing comprehensive recordings from both interior and exterior perspectives, featuring engine dynamics, idling states, passbys, and ignition sequences.
Recorded in a dyno facility, this motorcycle library captures sound effects from a championship-level Kawasaki Ninja ZX10R, featuring authentic idle, revving, and high-RPM performance sounds.
Most bikes here are recorded on the move and standing still. On the move means pulling away, steady holds through the gears and flat out past the mic. Standing still is the foley: the Side Stand, the Gas Tank cap, the horn and the switches on the bars, down to the fuel pump priming as the key goes on. That detail lets a scene go from parked to riding without borrowing from another bike. Racing games and action films use them, and the track day recordings bring a whole grid of engines around a circuit.