Shirt sound effects for the quiet layer under every actor. Cloth moving with the body through everyday actions, recorded across a range of fabric types, plus clothing handled and torn for rougher moments. Subtle stuff. It's the cloth pass that holds a scene together, and much of it is recorded as real movement rather than staged samples.
Cloth runs under almost every shot in a foley pass, so variety matters more than size. The movement libraries here record everyday body movement in real fabric, and the prop collection pairs many fabric types with different surfaces and plenty of variations, which is handy for sweetening. Broader Cloth recordings sit alongside. For rougher work, the clothes library covers bags and gloves as well as clothing being torn, and there's more of that in Tear. Carpet impacts suit the moment something lands on a bedroom floor. These work for dramas, and any scene where the dialogue was replaced and the cloth has to go back in.
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