Only on Sonniss
44.1 to 192 kHz, 24-bit. Formats: Mono, Stereo.
Combining raw recordings and designed elements, this diverse collection delivers stereo and mono sound effects, specializing in atmospheric whooshes and deep, resonant rumbles.
Sound effects tag
Rumble Sound Effects
Rumble sound effects for the low stuff you feel in your chest. Thunder rolling in from far off and distant explosions shaking the ground. Tanks grinding past. Designed sub rumbles for trailers and horror, and storms heard from inside a house as the windows buzz. If the speakers can take it, so can you.
- Libraries
- 351
- Publishers
- 116
- Formats
- Mono, stereo, M/S, surround, ambisonic
- Sample rates
- 44.1 to 192 kHz
- Licence
- Royalty-free for commercial work
- Price range
- $0 to $1,199
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All 351 libraries tagged Rumble
Industrial Environments Sounds – Industrial Ambiences for Factories, Heavy Machinery & WorksitesGfxSoundsStudios
48 kHz, 24-bit. Formats: Stereo.Industrial ambience sound effects featuring factory machinery, power plant interiors, warehouse room tones, cargo port atmospheres, excavator and bulldozer operation, forklift and truck crane movement, elevators, and backup beepers.
Extreme Environments – Disaster Sound Effects for Earthquakes, Storms, Fire, Volcanoes & WindsGfxSoundsStudios
48 kHz, 24-bit. Formats: Stereo.Natural disaster sound effects featuring over 120 files of earthquake rumbles, volcanic eruptions, wildfires, desert sandstorms, thunderstorms, blizzard winds, and burning house collapses for games, film, and trailers.
48 kHz, 24-bit. Formats: Stereo.
Game ambience sound effects covering haunted interiors, forests, deserts, medieval battles, alien planets, underwater environments, campfires, storms, sandstorms, lava lakes, and city rain for RPG, horror, and sci-fi projects.
Cinematic Explosion Sound Effects – 400+ Bombs, Grenades, Shockwaves & Explosions SoundsGfxSoundsStudios
48 kHz, 24-bit. Formats: Stereo.Explosion sound effects covering bombs, grenades, C4, landmines, missiles and drone strikes, plus fuses, timers, shockwaves, glass and metal debris, building collapses and aftermath rumbles across over 400 sounds.
96 kHz, 24-bit. Formats: Stereo.
Toronto transit sound effects covering TTC streetcars, subway trains, Scarborough rapid transit, and the UP Express diesel, with onboard rides, platform pass-bys, door chimes, and PA announcements.
96 kHz, 24-bit. Formats: Stereo.
Wind sound effects covering breezes, gusts, howls, whistles, and turbulent rumble, supplied as 21 non-looped exterior recordings plus 21 matching seamless loops in 24-bit 96kHz stereo.
96 kHz, 24-bit. Formats: Stereo.
Drawer open and close sound effects covering cabinet, desk, office, kitchen, dresser, paper, and wardrobe drawers across 72 stereo files recorded at 24-bit, 96kHz.
192 kHz, 32-bit. Formats: Mono, Stereo.
Geofon sound effects capturing structural vibrations from suspension bridges, antenna pylons, geothermal steam pipes, elevators, escalators and an anthill, with 91 files recorded at 192 kHz/32-bit using a LOM Geofòn.
192 kHz, 32-bit. Formats: Mono, Stereo.
Harley Davidson Electra Glide Ultra Classic sound effects across 104 files at 32-bit/192kHz, covering dual engine and exhaust perspectives of gear driving, RPM holds, revs, pass-bys and touring foley.
96 kHz, 24-bit. Formats: Mono.
School chair sound effects covering scrapes, drags, sits, stands, leaning back, pick ups, put downs, throws and rumbles performed on linoleum, wood and carpet, recorded dry with a Sennheiser MKH 60 at 96kHz/24-bit.
96 kHz, 24-bit. Formats: Stereo.
Elemental whoosh and impact sound effects spanning fire, ice, plasma, electric, gore, toxic, gravity and crystal variations, with 1334 paired motion and impact files in 96kHz/24bit.
48 to 96 kHz, 24-bit. Formats: Stereo.
Free horror drone sound effects spanning braams, hits, stingers, sweeps, piano clusters, ebow feedback, metal scrapes, and bee swarm textures, key-labelled and delivered in 24-bit at 48kHz and 96kHz.
96 kHz, 24-bit. Formats: Stereo.
Thunderstorm sound effects captured at near, medium, and far distances, including claps, cracks, pealing rumbles, and rain falling on stone, leaves, and metal railings in urban settings, recorded at 96kHz.
96 kHz, 24-bit. Formats: Stereo.
Distorted alarm sound effects alongside stressed metal friction, wood creaks, textural braams, deep impacts, glitchy textures, risers, sirens, and alien vocal growls across over 650 files.
48 kHz, 24-bit. Formats: Stereo.
Horror sound effects spanning over 750 WAV files of braams, impacts, hits, drones, risers, textures and signature elements, plus 430 BPM- and key-labelled tempo-synced loops with stems.
A rumble is mostly low end, which means it needs decent speakers to judge and a little restraint in the mix. Natural rumbles like thunder carry detail on top, the crackle and grit that tells you what's moving. Designed ones are cleaner, a pure Sub drop or a swelling bed that sits under a Riser. Trailers use them to make a cut feel huge. Horror uses them to make a quiet room feel wrong.
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