96 kHz, 24-bit. Formats: Mono.
Moog Subsequent 37 sound effects spanning laser guns, UI clicks and plucks, sub oscillations, telemetry beeps, droid sequences, and energy fields across 274 master files at 96kHz/24-bit.
Sound effects tag
Sub Sound Effects
Sub sound effects, as in the very bottom of the low end. Booms, deep tonal rumbles, swells and drops made for trailers, plus low frequency sweeteners for putting weight under a creature, a vehicle or a disaster. Drones too. Some sit in wider cinematic sets with whooshes and transitions on top, but the job is mostly the same: something big underneath.
- Libraries
- 37
- Publishers
- 14
- Formats
- Mono, stereo
- Sample rates
- 44.1 to 192 kHz
- Licence
- Royalty-free for commercial work
- Price range
- $14.55 to $119
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All 37 libraries tagged Sub
96 kHz, 24-bit. Formats: Stereo.
Designed acoustic guitar sound effects featuring 70 evolving drones, cinematic impacts, processed risers, and creepy stingers suitable for sci-fi, horror, and trailer productions, delivered in 24-bit 96kHz format.
48 to 192 kHz, 24-bit. Formats: Mono, Stereo.
This mini collection of 100+ cinematic sound effects features hits, whooshes, transitions, drones, and drops. Files are provided as 24-bit audio with embedded UCS metadata.
96 to 192 kHz, 24-bit. Formats: Stereo.
This mini collection provides 200+ low-frequency sound effects including sweeteners, drones, and impacts for creatures, vehicles, and disasters. All files contain embedded UCS metadata.
96 kHz, 24-bit. Formats: Stereo.
This library provides 232 low-end sound effects for trailers, including deep tonal rumbles, sub-bass swells, dark resonant drones, and cinematic punctuation.
96 to 192 kHz, 24-bit. Formats: Stereo.
Derived from musical instrument recordings, this collection features 863 cinematic sound effects including processed drones, risers, hits, pads, and stingers designed for tonal texture and atmospheric depth.
192 kHz, 24-bit. Formats: Stereo.
Deep, resonant sound effects captured using specialized equipment blend subsonic frequencies, drones, and rumbles, creating atmospheric elements ideal for horror and sci-fi productions.
192 kHz, 24-bit. Formats: Stereo.
Meticulously crafted sound effects from geofon recordings feature drum and violin sources, delivering unique hits, booms, and ultra-low frequencies suitable for diverse media productions.
192 kHz, 24-bit. Formats: Stereo.
Raw recordings from a Lom Geofon capture low-frequency sound effects, including plucks and scratches from guitar and violin, reaching depths of 10Hz for professional media production.
192 kHz, 24-bit. Formats: Stereo.
Deep, expertly crafted sound effects featuring 51 bass drops and downers, created with analog synthesizers and recorded at high-quality 192kHz/24-bit resolution.
192 kHz, 24-bit. Formats: Stereo.
Deep, thunderous sound effects created with analog synthesizers deliver intense subwoofer rumbles and bass drops, recorded at pristine 192kHz quality for maximum dramatic impact.
192 kHz, 24-bit. Formats: Stereo.
Deep, analog-crafted sound effects featuring 50 high-resolution sub-drops and downers, meticulously created using vintage synthesizers for intense low-frequency impact.
96 kHz, 24-bit. Formats: Stereo.
Nature-inspired sound effects range from infrasonic frequencies to abstract designs, crafted from organic sources to create unique auditory textures for multimedia projects.
96 kHz, 24-bit. Formats: Stereo.
Modified electronic vibrations and sound effects captured from household appliances, transformed into cinematic drones, rhythms, and atmospheric elements suitable for diverse media projects.
96 kHz, 24-bit. Formats: Stereo.
These unique sound effects were captured using LOM Geofon technology, transforming everyday appliance vibrations into atmospheric drones and bass textures suitable for film and game soundscapes.
$20.00
Add GEODRONE to cart96 kHz, 24 to 32-bit. Formats: Stereo.
A comprehensive collection of 91 high-quality transition sound effects, featuring whooshes, risers, and flybys, recorded at 96kHz in both 24-bit and 32-bit formats.
Sub is the layer that goes under everything else. In a Trailer it's the boom on a title card or the swell before a cut, and in a game it's the weight under the footsteps of something enormous. These libraries cover both, with booms and tonal rumbles, plus sweeteners made for creatures and natural disasters. Some sit inside bigger Cinematic sets with whooshes and sci-fi ambiences. On small speakers most of it disappears, so a sub layer is worth checking on proper monitors before anything goes out.
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