96 kHz, 24-bit. Formats: Stereo.
Authentic interior sound effects capture weather's impact through windows, including wind gusts, rain patterns, and thunderous elements, creating immersive indoor storm atmospheres.
Publisher
Jake Fielding Sound Effects
Jake Fielding has 24 sound effects libraries on Sonniss, with the most in Ambience, Metal and Electronics.
- Libraries
- 24
- Best spec
- Up to 96 kHz / 24-bit
- Formats
- Mono, stereo
- Latest release
- Prices
- $6.20 to $49
- Licence
- Royalty-free for commercial work
All 24 libraries from Jake Fielding
48 kHz, 24-bit. Formats: Stereo.
Multiple refrigerator models provide authentic sound effects, from subtle hums to noticeable vibrations, professionally recorded and tagged with USC metadata for seamless project integration.
96 kHz, 24-bit. Formats: Mono.
Authentic gate recordings feature both shotgun and contact microphone sound effects, capturing detailed creaks, groans, and mechanisms in 96kHz for cinematic and medieval applications.
48 kHz, 24-bit. Formats: Mono.
Expertly captured sound effects featuring 30 distinct red kite calls, offering authentic bird-of-prey vocalizations with minimal background noise for nature documentaries and media projects.
$6.20
Add Red Kite to cart48 kHz, 24-bit. Formats: Stereo.
Spanning 90 minutes, this extensive library contains 45 varied refrigerator sound effects, from subtle domestic hums to deep, resonant tones suitable for sci-fi atmospheres.
96 kHz, 24-bit. Formats: Mono, Stereo.
Mazda MX-5 Miata sound effects featuring 82 files of onboard and exterior recordings including acceleration, idle, pass-bys, revs, manoeuvres, and mechanical foley recorded at 96kHz/24-bit.
96 kHz, 24-bit. Formats: Stereo.
A collection of British walla and crowd sound effects from pubs, restaurants, and cinemas in Liverpool and Manchester, including specific regional accents and drunk conversations.
48 kHz, 24-bit. Formats: Stereo.
This comprehensive library features various refrigerator hums, electrical buzzes, and rhythmic sound effects, offering deep rumbles and unique textures across 26 high-quality files, including 10 in 96kHz format.
96 kHz, 24-bit. Formats: Mono, Stereo.
Diverse gate squeaks, creaks, and latch sound effects recorded with both shotgun and contact microphones at 96kHz, delivering authentic wooden and metallic tones suitable for cinematic applications.
48 kHz, 24-bit. Formats: Stereo.
Carefully recorded interior walla sound effects capture subtle background chatter, footsteps, and ambient murmurs from indoor spaces, fully tagged with UCS metadata for professional productions.
96 kHz, 24-bit. Formats: Stereo.
This sci-fi collection blends synthesized elements with authentic horn recordings, delivering powerful cinematic sound effects inspired by Bladerunner 2049's iconic foghorn atmospheres.
48 kHz, 24-bit. Formats: Mono.
Authentic drill bursts and mechanical movements combine versatile sound effects, featuring multiple drill types, foley elements, and fully tagged UCS metadata for professional productions.
48 kHz, 24-bit. Formats: Stereo.
Authentic harbor recordings feature diverse sound effects, from Dover's port ambience to mechanical anchor hoists, delivering rich maritime atmospheres with deep resonances and industrial activity.
48 kHz, 24-bit. Formats: Stereo.
Authentic industrial construction and steelworking sound effects combine warehouse ambiences with grinding, welding, and machinery noises, featuring both indoor and outdoor environments with detailed UCS metadata.
96 kHz, 24-bit. Formats: Stereo.
Authentic Spanish ambiences capture diverse sound effects from coastal towns, bustling markets, and serene churches, delivering meticulously recorded Mediterranean atmospheres with comprehensive UCS metadata.
48 kHz, 24-bit. Formats: Stereo.
Comprehensive train and railway station sound effects capturing authentic British transport ambiences, from bustling terminals to underground stations, complete with engine hums and passenger activity.
48 kHz, 24-bit. Formats: Stereo.
Immersive recordings capture authentic sound effects from metro interiors, featuring engine hums, passenger activity, and intercom announcements across diverse train environments, all with detailed metadata.
48 kHz, 16 to 24-bit. Formats: Stereo.
Comprehensive recordings capture authentic British railway ambiences, featuring diverse sound effects from bustling stations like King's Cross and Manchester Piccadilly, along with London's Underground atmospheres.
48 kHz, 24-bit. Formats: Stereo.
Dark, layered sound effects from an actual morgue create authentic ambiences, featuring 21 distinct room tones captured within cold storage units and sterile chambers.
96 kHz, 24-bit. Formats: Stereo.
Metallic sound effects blend dark drones and industrial textures with eerie wails, deep bass tones, and nautical elements, delivered in high-resolution 96kHz/24bit format with metadata tagging.
96 kHz, 24-bit. Formats: Stereo.
Industrial-grade sound effects featuring metallic creaks, ghostly drones, and atmospheric risers delivered in high-resolution format, ideal for horror and sci-fi productions.
96 kHz, 24-bit. Formats: Stereo.
Industrial metallic sound effects blend deep bass impacts with haunting creaks, delivering high-resolution cinematic hits suitable for horror and sci-fi productions.
96 kHz, 24-bit. Formats: Stereo.
Metallic sound effects ranging from hits to drones create haunting atmospheres across 2GB of high-resolution samples, ideal for horror and sci-fi projects needing textural depth.
48 kHz, 24-bit. Formats: Stereo.
Behind-the-scenes circus ambiences capture authentic construction noises, generator hums, and sound effects, alongside professional ringmaster announcements - both dry and with reverb versions available.
About Jake Fielding
I am a Sound Designer and Sound Editor for Film, TV & Commercial. I also have experience in podcasts and game audio. I have a passion for capturing sounds, as well as editing in post-production, and being a sound effects editor goes hand in hand with getting my own recordings. I always take a microphone with me wherever I go, to capture the sounds of the world around me and have acquired some truly unique sounds from projects and locations I have been too.