Sound effects tag

Sniper Rifle Sound Effects

Sniper Rifle sound effects, from the crack at the muzzle to the tail rolling away into the distance. Wartime bolt-action rifles sit alongside a semi-automatic marksman's rifle and modern sniper rifles. Heavy stuff. You get shots at several distances, the bolt worked between them, and long tails that tell an audience how far off the shooter is.

Libraries
12
Publishers
9
Formats
Mono, stereo, M/S, surround, ambisonic
Sample rates
44.1 to 192 kHz
Licence
Royalty-free for commercial work
Price range
$15.70 to $298.80

All 12 libraries tagged Sniper Rifle

-42%
44.1 to 48 kHz, 16 to 24-bit. Formats: Stereo.
Military warfare sound effects featuring over 1,300 files covering gunshots, explosions, radio chatter, helicopters, tanks, submarines, tactical gear foley, melee combat, and battlefield ambiences for game and film production.
1,305 files · 1.66 GB · Metadata
48 to 192 kHz, 24-bit. Formats: Mono, Stereo, M/S, Surround, Ambisonic A.
Captured in Poland, this SVD Dragunov rifle library delivers authentic sound effects through diverse microphone setups, featuring shots, tails, foley, and game-ready assets in stereo and 5.1 formats.
785 files · 1.78 GB · Metadata
96 kHz, 24-bit. Formats: Stereo.
High-resolution sound effects featuring 127 futuristic weapon sounds, created using synthesizers and everyday objects, ideal for science fiction games, films, and multimedia projects.
127 files · 370 MB
96 kHz, 24-bit. Formats: Mono, Stereo, Surround.
Historical Mosin rifle sound effects were meticulously captured outdoors and in-studio, featuring distant shots recorded through Sennheiser Ambeo and Neumann U87s, offering versatile bolt-action weapon audio for various projects.
46 files · 772.8 MB · Metadata
96 kHz, 24-bit. Formats: Mono, Stereo.
Comprehensive Finnish sniper rifle recordings feature diverse sound effects, including silenced shots, subsonic rounds, and both raw and cleaned audio, plus detailed foley elements.
417 files · 2.4 GB · Metadata

A sniper shot is mostly about distance. Close up you hear the crack and the blast together. Downrange the bullet's crack arrives before the boom, and the tail gives away the place: a warehouse sounds nothing like an open valley. These recordings cover that spread, with rifles fired outdoors and inside big empty buildings, and microphones placed from the shooter's shoulder out to well down the range. The handling matters as much. Working the Bolt Action, magazines going in and out, the Reload after a missed shot. Military shooters and war films use them, and there's a sci-fi side too, for rifles that fire something stranger than lead.

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