192 kHz, 24-bit. Formats: Stereo.
Meticulously crafted reversed sound effects, featuring transformed recordings of subsonic frequencies, voices, impacts, and everyday objects, delivered in high-resolution format for professional projects.
Sound effects tag
Reverse Sound Effects
Reverse sound effects in both senses. Sounds played backwards, like a reversed impact swelling up into a cut or a whoosh that sucks you into the next shot. Then vehicles going backwards, with supercars whining in reverse gear and a steam locomotive backing slowly down the line. Odd, and very useful.
- Libraries
- 198
- Publishers
- 32
- Formats
- Mono, stereo, M/S, surround, ambisonic
- Sample rates
- 44.1 to 192 kHz
- Licence
- Royalty-free for commercial work
- Price range
- $10 to $450
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All 198 libraries tagged Reverse
192 kHz, 24-bit. Formats: Mono.
A meticulous collection of reversed sound effects, featuring twisted recordings of voices, impacts, tools, and animals - expertly captured at 24Bit 192kHz for maximum editing flexibility.
192 kHz, 24-bit. Formats: Stereo.
Reversed recordings of everyday sounds create unique risers and sound effects, featuring manipulated machinery, church bells, and guitar strings in pristine 24-bit/192kHz quality.
96 kHz, 24-bit. Formats: Stereo.
Sci-fi texture sound effects spanning alien noise, crystals, engine speed-ups and stops, horror ambiences, laser shots, plasma movement, random signals, retro effects, reverses, and soundscapes across 220 WAV files at 96kHz/24-bit.
96 kHz, 24-bit. Formats: Stereo.
Sci-fi texture sound effects spanning alien artifacts, desert planet ambience, engines, flames, interference, radio, rotors, and horror abstractions, delivered as 240 files in loop and non-loop versions at 96kHz/24-bit.
192 kHz, 32-bit. Formats: Mono, Stereo.
Elko Marine Big Foot Ultimate sound effects covering 24 files of outboard driving at slow, medium and fast speeds, pass-bys, reverse, U-turns, revs and start-idle-shutdown cycles at 192 kHz.
192 kHz, 32-bit. Formats: Mono, Stereo.
Martini Nautica Sea Buggy 405 pedal boat sound effects covering arrivals, pass-bys, pulling away, and fast, slow and reverse driving from synchronized pedal and rudder perspectives at 192 kHz.
96 kHz, 24-bit. Formats: Stereo.
Designed acoustic guitar sound effects featuring 70 evolving drones, cinematic impacts, processed risers, and creepy stingers suitable for sci-fi, horror, and trailer productions, delivered in 24-bit 96kHz format.
192 kHz, 32-bit. Formats: Mono, Stereo.
Mercedes Benz CLK C208 sound effects featuring synchronized multi-perspective engine loops, stereo pass-bys, dynamic gear sweeps, and premium mechanical foley, captured at 192kHz across 237 WAV files.
96 kHz, 24-bit. Formats: Stereo.
Radio imaging sound effects including stingers, risers, sweeps, lasers, slams, scratches, traffic beds, and news feature beds delivered as 24-bit 96kHz stereo workparts for broadcast production.
48 to 192 kHz, 24-bit. Formats: Mono, Stereo.
This mini collection of 100+ cinematic sound effects features hits, whooshes, transitions, drones, and drops. Files are provided as 24-bit audio with embedded UCS metadata.
192 kHz, 32-bit. Formats: Mono, Stereo.
This library of Fiat 128 sound effects features driving, interior and exterior foley, plus mechanical and electrical sounds, delivered as 32bit/192kHz UCS-compliant .wav files.
192 kHz, 32-bit. Formats: Mono, Stereo.
$350.00
Add 2010s Cars to cart96 kHz, 24-bit. Formats: Stereo.
This library provides 128 video transition sound effects, including wipes, cuts, and ramps, delivered as 24-bit/96kHz BWF files with embedded metadata.
96 kHz, 24-bit. Formats: Stereo.
This collection provides 106 Chevy Duramax 2500HD truck sound effects, including interior, exterior, and on-board recordings of pass bys, shifting, and foley.
Business Navigator NV-A008 Piaggio Vespa PX150 2023 electric ride-on toy scooter motorcycleKrampfstadt Studio
192 kHz, 32-bit. Formats: Mono, Stereo.This library of toy scooter sound effects contains driving, foley, mechanical, and electrical recordings, delivered as high-resolution 32-bit, 192kHz WAV files with UCS-compliant metadata.
A reversed sound builds instead of decaying, which is why it works so well as a lead-in. The tail arrives early and the attack lands right on the edit, pulling the viewer forward. Trailer and video editors use them constantly. The other kind of reverse is all gearbox. Reverse gear has a whine that's instantly recognisable, and it usually starts with a clunk from the Gearshift before the Exhaust kicks in. Parking scenes lean on it.
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