Race Car sound effects from the circuit and the dyno. Real race cars recorded onboard and from the side of the track, with rev sweeps and hard accelerations. Loud, obviously. Stock cars and single seaters are all in here, along with a drift car and spectator recordings from a big endurance race.
Libraries
33
Publishers
18
Formats
Mono, stereo, surround, ambisonic
Sample rates
48 to 192 kHz
Licence
Royalty-free for commercial work
Price range
$12 to $449
FiltersAll 33 libraries tagged Race CarFilter by the spec, not just the subjectRecorded or designed, sample rate, bit depth, channel format, embedded metadata and file count. Narrow it down before you download anything.
Racing enthusiasts will find 219 audio clips capturing authentic sound effects from a 1977 Ford Escort RS1800, including onboard, exterior, and Ambisonic recordings of engine, exhaust, and performance maneuvers.
96 kHz, 24-bit. Formats: Mono, Stereo, Surround, Ambisonic B.
Comprehensive collection featuring race car sound effects captured from multiple angles, including engine, exhaust, and interior cabin recordings, with detailed metadata and multichannel Ambisonic perspectives.
Featuring both interior and exterior sound effects, this comprehensive NASCAR stock car library captures a 2001 Chevrolet Camaro V8 from multiple angles during various driving conditions.
Comprehensive collection captures authentic sound effects from a 1991 hybrid racing car, featuring synchronized multitrack recordings of engine, exhaust, cabin, and exterior sounds using professional DPA and Sennheiser microphones.
Professional motorsport recordings capture 203 authentic racing sounds, featuring dynamic sound effects from qualifying sessions, practice runs, and individual vehicle passes during competitions.
Professional IndyCar and racing sound effects captured at Baltimore Grand Prix, featuring diverse vehicle movements and maneuvers across 350+ high-quality recordings of multiple race car types.
Racing engines and sound effects captured at Willow Springs Raceway, featuring diverse vehicles from stock cars to modified outlaws, delivering authentic high-speed roars and aggressive engine performances.
This comprehensive collection features high-fidelity sound effects captured from Nissan GTR and Lexus IS 350, delivering 29 pristine automotive recordings at 24bit/96kHz quality.
Vibrant racing sound effects captured at Le Mans include trackside recordings, forest ambience, and pre-race vehicle maneuvers, delivering authentic motorsport atmosphere from multiple perspectives.
NASCAR race sound effects captured on a Grand Prix circuit in NOS and MS stereo, covering test laps, race laps, solo and grouped passes, 8–10m perspectives, and distant soundscapes.
This comprehensive motorsport sound effects collection features seven hours of high-quality recordings, capturing various racing vehicles from classic GT cars to superbikes, recorded at close range across multiple track positions.
Racing cars generate powerful sound effects in this hour-long collection, featuring pristine engine recordings from classic sports vehicles captured at three track locations without crowd interference.
High-quality racing sound effects captured at three track locations, featuring pristine pass-by recordings of twenty classic and modern sports cars, with minimal background interference.
This extensive collection captures vehicle pass-by sound effects, featuring diverse automobiles from multiple eras and regions, recorded at varying speeds with detailed metadata.
This vintage Renault R4 GTL sound effects collection features comprehensive driving and accessory recordings, captured from nine perspectives including quad ORTF interior and synchronized multi-microphone positions.
Clean recordings capture high-performance racing sound effects, featuring multiple luxury sports cars recorded from prime trackside locations with pristine audio clarity in convertible B-Format ambisonics.
Racing sound is the car plus the place it's in. For the car, several of these libraries split the engine, exhaust and interior across separate microphones, so a mix can sit in the cockpit or out by the exhaust, and a dyno session gives ignitions and rev sweeps with the car standing still. The place comes from pass-by collections at the Race Track, some recorded with hardly any crowd, and from spectator recordings among the crowds and trees. Plenty of choice. Pre-race manoeuvres have their own home in Pit Lane. All of it suits racing games as well as motorsport films and documentaries.
