96 kHz, 24-bit. Formats: Stereo.
Copenhagen Metro and S-train sound effects covering pass-bys at varied speeds, departures, door chimes, and onboard station-to-station rides captured in ORTF and MS with MKH 8040 and MKH 416.
Sound effects tag
Pull Away Sound Effects
Pull Away sound effects, the moment a vehicle sets off. Clutch out and away it goes, heard from the seat or from the side of the road as it leaves. Lots of motorbikes here, including a whole run of Indian bikes kick-started and ridden off. Then cars, a heavy truck, a vintage car and a steam train hauling itself out of the station.
- Libraries
- 57
- Publishers
- 12
- Formats
- Mono, stereo, M/S, surround, ambisonic
- Sample rates
- 48 to 192 kHz
- Licence
- Royalty-free for commercial work
- Price range
- $15 to $249
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All 57 libraries tagged Pull Away
96 kHz, 24-bit. Formats: Stereo.
NASCAR race sound effects captured on a Grand Prix circuit in NOS and MS stereo, covering test laps, race laps, solo and grouped passes, 8–10m perspectives, and distant soundscapes.
-20%
96 kHz, 24-bit. Formats: Mono, Stereo, M/S.
Contains 973 multi-channel sound effects of a Ford Mustang Mercury, including engine sounds, gear transitions, mechanical textures, revs, and a variety of driving performances.
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Business Navigator NV-A008 Piaggio Vespa PX150 2023 electric ride-on toy scooter motorcycleKrampfstadt Studio
192 kHz, 32-bit. Formats: Mono, Stereo.This library of toy scooter sound effects contains driving, foley, mechanical, and electrical recordings, delivered as high-resolution 32-bit, 192kHz WAV files with UCS-compliant metadata.
192 kHz, 32-bit. Formats: Mono, Stereo.
A library of driving, foley, mechanical, and electrical sound effects. Recorded at 32bit/192kHz, these UCS-compliant WAV files are ready for professional production.
192 kHz, 32-bit. Formats: Stereo.
This library contains high-resolution driving and mechanical sound effects. Files are 32bit, 192 kHz WAVs and also available in UCS format.
192 kHz, 32-bit. Formats: Stereo.
This sound library contains driving, foley, mechanical, and electrical sound effects. Files are recorded at 32bit, 192 kHz, available in wav format and also offered in UCS.
192 kHz, 32-bit. Formats: Stereo.
This library offers high-resolution 32bit, 192 kHz WAV files featuring driving, foley, mechanical, and electrical sound effects, recorded with professional microphones and UCS-compatible.
192 kHz, 32-bit. Formats: Mono, Stereo.
This Volkswagen Tiguan 2007 SUV library provides 218 sound effects, including driving, interior and exterior foley, and various mechanical and electrical sounds.
192 kHz, 32-bit. Formats: Mono, Stereo.
A collection of 40 sound effects from a Hebei WMT-915 electric toy car, including driving, foley, mechanical, and electrical recordings in WAV and UCS formats.
192 kHz, 32-bit. Formats: Mono, Stereo.
A collection of 12 sound effects documenting a 2015 Glory Bike TR8088W tricycle, featuring driving, foley, and mechanical, and electrical recordings. UCS compliant WAV files.
192 kHz, 32-bit. Formats: Mono, Stereo.
This library contains 30 sound effects of a Qingdao Sata BYT-340 power wheelchair, including driving, exterior foley, mechanical, and electrical recordings organized with UCS metadata.
192 kHz, 32-bit. Formats: Mono, Stereo.
This library of 154 sound effects documents a 1955 Zastava 750, with driving, exterior foley, mechanical, and electrical recordings. Universal Category System (UCS) files included.
192 kHz, 32-bit. Formats: Mono, Stereo.
A collection of 75 Honda ST1100 motorcycle sound effects, containing extensive driving, exterior foley, and detailed mechanical and electrical recordings available in UCS and WAV formats.
192 kHz, 32-bit. Formats: Mono, Stereo.
A sound effects library of a 2005 BMW R1200RT touring motorcycle, with 79 files covering driving, exterior foley, mechanical, and electrical sounds. UCS compliant.
192 kHz, 32-bit. Formats: Mono, Stereo.
This library contains 69 sound effects from a Yamaha YZF-R6 2008 motorcycle, featuring driving, exterior foley, plus various mechanical and electrical recordings.
A pull away tells the audience something. A gentle one says normal day. A wheel-spinning launch says trouble. Pair it with a Pull Up and a character can arrive and leave in the same vehicle. The bike recordings are especially useful because they often come as a full sequence: kick start, idle, the Side Stand flicked up, then off down the road, so nothing has to be stitched together from different machines. Truck pull aways are slow and heavy, all low gears and diesel grunt.
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