96 kHz, 24-bit. Formats: Mono, Stereo.
This library provides sound effects of a Swedish battle rifle, submachine gun, and machine gun, including multi-perspective handling and gunshots recorded in urban and industrial spaces.
Sound effects tag
Manipulation Sound Effects
Manipulation sound effects, which in foley just means handling things. Clothes, bags, hats and gloves handled and torn. Glass moved, smashed and made to sing. Handguns loaded and worked. Face masks with elastic snaps. And an old zither, taken apart for textures and wrecked on purpose. Hands on everything.
- Libraries
- 16
- Publishers
- 9
- Formats
- Mono, stereo
- Sample rates
- 44.1 to 96 kHz
- Licence
- Royalty-free for commercial work
- Price range
- $6.99 to $190
All 16 libraries tagged Manipulation
-30%
96 kHz, 24-bit. Formats: Stereo.
Meticulously recorded at 96kHz/24-bit, this sound effects collection features 37 diverse zipper recordings, including stuck, fast, slow, and bag-handling sounds for professional audio projects.
Was $10.00, now $7.00
Add Zip It to cart96 kHz, 24-bit. Formats: Stereo.
Professional collection featuring sound effects recorded from PPE masks, including authentic breathing, elastic snaps, and fabric manipulations, offering versatile textures for film and media projects.
48 kHz, 24-bit. Formats: Stereo.
This comprehensive collection captures authentic gardening sound effects in both stereo and binaural formats, featuring tools like shovels and rakes recorded with precision in a countryside setting.
96 kHz, 32-bit. Formats: Stereo.
Crystal-clear sound effects featuring 379 meticulously recorded glass manipulations, including breaks, smashes, impacts, and singing glass, delivered in high-resolution 96kHz broadcast format.
$35.00
Add Glass to cart96 kHz, 24-bit. Formats: Stereo.
This diverse collection features 117 stereo sound effects created from a damaged Markneunkirchen Zither, offering unique string and wood impacts recorded at professional 24-bit/96kHz quality.
96 kHz, 24-bit. Formats: Stereo.
Traditional zither recordings featuring destructive sound effects and textural elements, offering nearly 1.5GB of high-quality string manipulations captured at professional 24-bit/96kHz resolution.
Only on Sonniss
48 kHz, 24-bit. Formats: Stereo.
Meticulously crafted sound effects blend artificial gunshots, bullet impacts, weapon manipulation, and shell casings, offering versatile handgun audio elements for gaming projects.
96 kHz, 24-bit. Formats: Stereo.
Meticulously recorded sound effects feature diverse fabric interactions, encompassing 747 high-quality files of clothing items, accessories, and textiles being manipulated, torn, and handled.
96 kHz, 24-bit. Formats: Stereo.
Extensive collection of visceral sound effects featuring blood splashes, bone cracks, and flesh tears, combined with viscous manipulations created through various glue substances.
96 kHz, 24-bit. Formats: Stereo.
Meticulously edited sound effects encompass 375 files featuring diverse materials, including metal, glass, and fabric, recorded at 24bit 96kHz with detailed metadata for professional workflows.
96 kHz, 24-bit. Formats: Stereo.
In this vast collection, 175 distinct sound effects capture the destruction of produce, featuring impacts, tears, and manipulations of fruits and vegetables hitting surfaces.
96 kHz, 24-bit. Formats: Stereo.
This comprehensive collection features 314 diverse sound effects, including metal, plastic, and glass interactions through hitting, manipulating, rubbing, and shaking various everyday objects.
44.1 kHz, 16-bit. Formats: Stereo.
Through advanced spectral manipulation, this collection transforms real-world recordings into glitchy, futuristic sound effects using sophisticated processing and analog synth integration.
96 kHz, 24-bit. Formats: Stereo.
A vintage Markneunkirchen Zither yields 2.71 GB of meticulously recorded sound effects, featuring damaged strings and wood textures captured in high-quality 24Bit/96kHz stereo format.
48 kHz, 24-bit. Formats: Mono.
Various junk objects create vibrant sound effects, including distinctive refrigerator slams, baseboard heater rattles, cardboard impacts, and metallic wrench interactions.
Handling sounds are the glue of a foley pass, the small moves that make an object real in a hand. The cloth recordings cover clothes and accessories handled and torn, with more ripping in Tear. Glass gets the same attention, from manipulation to breaks and smashes, plus singing glass for something stranger. Guns are covered too. Loading and manipulation come with the shots and shell casings, so handling and firing match. The old Zither is pulled apart for raw string textures, which suit horror and abstract sound design more than a period drama.
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