Sound effects tag

Contact Sound Effects

Contact sound effects, as in contact microphone recordings. A contact mic hears through the object rather than the air, so you get the vibration inside the material itself: faint buzzes, deep rumbles and textures you'd never hear standing next to the thing. Some of it is microscopic. Some is big, like metal struck inside a ship's storeroom, caught by a contact mic as well as the usual ones.

Libraries
14
Publishers
14
Formats
Mono, stereo
Sample rates
48 to 192 kHz
Licence
Royalty-free for commercial work
Price range
$10 to $79
96 kHz, 24-bit. Formats: Mono, Stereo.
Metal impact sound effects recorded inside a ship's Bosun Store, capturing hammer, chain, shovel, and soft ball strikes in AB stereo, binaural, mono, and contact microphone perspectives.
521 files · 2.14 GB · Metadata
96 kHz, 24-bit. Formats: Stereo.
Corn field recordings capture rustling stalks, leaf movements, and ambient sounds using specialized microphones, providing authentic sound effects for agricultural and natural environments.
63 files · 1.68 GB · Metadata
96 kHz, 24-bit. Formats: Stereo.
Meticulously crafted voice sound effects featuring six distinct sci-fi characters delivering hundreds of phrases, screams, and grunts, recorded in high-quality 24Bit 96kHz without reverb for maximum flexibility.
826 files · 832 MB · Metadata
96 kHz, 24-bit. Formats: Mono.
Featuring 800 mechanical sound effects, this collection captures diverse sewing machine operations, including rhythmic seams, seamless loops, revving sounds, and clicks - all recorded in high-quality stereo.
800 files · 2.95 GB · Metadata
96 kHz, 24-bit. Formats: Stereo.
This comprehensive collection features 343 distinct outdoor sound effects, capturing authentic biking, exercise, and recreational activities for natural environmental ambiance.
343 files · 790 MB · Metadata
Only on Sonniss
96 kHz, 24-bit. Formats: Mono, Stereo.
This comprehensive library delivers wind turbine sound effects captured in various distances and conditions, featuring MS stereo, double MS, and structure-borne recordings through contact microphones, all without ambient interference.
88 files · 2.57 GB · Metadata
96 to 192 kHz, 24-bit. Formats: Mono.
Detailed contact microphone recordings capture microscopic sound effects, from subtle vibrations to deep frequencies, providing rich layers of hidden sonic textures for ambient and creative sound design.
593 files · 4.91 GB · Metadata
96 kHz, 24-bit. Formats: Mono.
Meticulously recorded at 96 kHz/24-bit, these 59 glass door sliding sound effects utilize custom contact microphones, offering versatile layering options for sound designers.
59 files · 113 MB · Metadata
96 kHz, 24-bit. Formats: Stereo.
Professional tape machine recordings featuring diverse mechanical sound effects, from DC motors and servos to analog buttons, captured through multiple microphones for enhanced tonal range.
559.1 MB · Metadata

Contact recordings are raw material more than finished sounds. Pitch them down and layer them, and a Strike on a metal wall turns into a hull under strain, or a quiet vibration becomes the breath of something enormous. Because the mic only hears the object, there's almost no room in the sound, so it sits under other layers without muddying them. Mixed with the air mics, a hammer hit or a Chain Rattle gets weight and ring together. There's even a corn field, recorded through specialist mics for texture and rumble. It all suits horror, sci-fi and creature design.

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