96 kHz, 24-bit. Formats: Stereo.
This library provides 232 low-end sound effects for trailers, including deep tonal rumbles, sub-bass swells, dark resonant drones, and cinematic punctuation.
Sound effects tag
Boom Sound Effects
Boom sound effects for the low end of a mix. Trailer booms with sub swells you feel in your chest, plus real explosions and thunder rolling in from a long way off. Fireworks too. Heavy stuff. Some are designed hits made for a cut to black, others are field recordings with air around them. There's a retro game side as well, with chunky bombs and hits.
- Libraries
- 30
- Publishers
- 19
- Formats
- Mono, stereo, ambisonic
- Sample rates
- 44.1 to 192 kHz
- Licence
- Royalty-free for commercial work
- Price range
- $10 to $150
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All 30 libraries tagged Boom
96 kHz, 24-bit. Formats: Stereo.
Intense cinematic sound effects merge deep sub booms with metallic textures, featuring bone-chilling impacts, dramatic explosions, and glitchy futuristic hits for impactful production moments.
96 kHz, 24-bit. Formats: Mono, Stereo.
Manipulated firework recordings create unique sound effects, blending analog synths and granular processing to produce textured elements suitable for sci-fi weaponry and interface design.
96 kHz, 24-bit. Formats: Stereo.
Low-frequency impact sound effects spanning 250 files of booms, huge and sub impacts, reverse hits and thunder impacts, delivered at 96kHz 24-bit for action scenes, fights and special effects.
96 kHz, 24-bit. Formats: Stereo.
Cinematic trailer sound effects spanning 597 files of braams, hybrid braams, impacts, deep hits, risers, transitions, whooshes, energy glitches, and atmosphere drones in 96k 24bit, UCS compliant.
96 kHz, 24-bit. Formats: Stereo.
Modern motion sound effects spanning 1024 files and 242 glued sound sets, covering UI clicks, whooshes, risers, morphs, drones, stingers, and transitions in 96kHz 24-bit WAV.
96 kHz, 24-bit. Formats: Stereo.
A library of fireworks sound effects featuring close-up bursts, distant ambiences with crowd reactions, and isolated single explosions for detailed design work or layering.
96 kHz, 24-bit. Formats: Ambisonic B.
This collection features 36 long-duration Ambisonic firework sound effects recorded in Germany, capturing distant bursts, crackles, and intense detonations from urban and residential areas.
96 kHz, 24-bit. Formats: Stereo.
This collection provides 103 designed cinematic impact sound effects, including booms, metallic crashes, sub drops, and debris, delivered as 24-bit/96kHz royalty-free audio files.
96 to 192 kHz, 24-bit. Formats: Stereo.
Derived from musical instrument recordings, this collection features 863 cinematic sound effects including processed drones, risers, hits, pads, and stingers designed for tonal texture and atmospheric depth.
96 kHz, 24-bit. Formats: Stereo.
This sound library provides 372 sound effects, featuring 170 unique 8-bit/HD "Hit and Bomb" elements, cartoon phrases, attacks, buffs, generics, gun sounds, and victory music.
$35.00
Add HD-8BIT to cart96 kHz, 24-bit. Formats: Stereo.
A library of 720 trailer sound effects, including impacts, risers, textures, and strings, provided in both core (classic) and processed (modern) versions.
96 kHz, 24-bit. Formats: Stereo.
High-quality collection featuring 485 sci-fi sound effects, including UI elements, metallic clicks, laser guns, and robot sounds, delivered in 24-bit 96kHz WAV format totaling 69 minutes.
$50.00
Add Sci-Fi Games to cart192 kHz, 24-bit. Formats: Stereo.
Layered sound effects blend synthesized elements, distorted screams, and violin impacts, featuring 100 horror-focused audio samples organized into six distinct categories for maximum atmospheric tension.
96 kHz, 24-bit. Formats: Stereo.
A comprehensive collection featuring layered sound effects combining synthesizers, percussion, and real-world recordings of metal, wood, and explosions for cinematic impact and dramatic transitions.
96 kHz, 24-bit. Formats: Stereo.
Industrial metallic sound effects blend deep bass impacts with haunting creaks, delivering high-resolution cinematic hits suitable for horror and sci-fi productions.
A boom is mostly low end, and the good ones are built in layers. A real explosion or thunderclap gives the crack and the air, and a designed Sub-Bass swell underneath gives the weight. The trailer libraries do that work for you, with rumbles and dark risers that end on a hit. Plenty of tension tools as well. Raw recorded blasts and debris sit in Explosion, and the bangs and crackles of a display are in Firework. Editors use booms to land a title card. Games use them to make a hit feel huge. All of it is royalty-free for commercial work.
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