Publisher

Endorphin Sound Library

Endorphin Sound Library has 4 sound effects libraries on Sonniss, with the most in Aircraft, Historical and Water.

  • Founding MemberOn Sonniss since before 2017
Libraries
4
Best spec
Up to 96 kHz / 24-bit
Formats
Stereo
Latest release
Prices
$39 to $199
Licence
Royalty-free for commercial work
What they make
AllAircraft3Military Aircraft3Propeller Aircraft2Historical1Jet Aircraft1Water1Weather1Wind1
FiltersAll 4 libraries from Endorphin Sound LibraryFilter by the spec, not just the subjectSample rate. Narrow it down before you download anything.
Sample rate
44.1 kHz48 kHz96 kHz192 kHz
Also
Gear listedVideo demo
All 4 libraries from Endorphin Sound Library.

All 4 libraries from Endorphin Sound Library

JetsEndorphin Sound Library
96 kHz, 24-bit. Formats: Stereo.
Extensive collection spanning a decade captures authentic sound effects from 20 different military and civilian aircraft, delivering 71 minutes of pristine jet recordings from airports and demonstrations.
125 files · 2.4 GB · Metadata
$59.00
Add Jets to cart
P-51 MustangEndorphin Sound Library
96 kHz, 24-bit. Formats: Stereo.
This comprehensive collection features authentic P-51 Mustang sound effects, meticulously captured over eight years, showcasing the iconic aircraft's distinctive roaring engine and whistling exhaust notes.
94 files · 1.07 GB · Metadata
$125.00
Add P-51 Mustang to cart
B-25 MitchellEndorphin Sound Library
96 kHz, 24-bit. Formats: Stereo.
Meticulous field recordings capture the B-25 Mitchell's signature twin-engine sound effects, recorded both in-flight and on the ground over an extensive eight-year period.
115 files · 2.5 GB · Metadata
$199.00
Add B-25 Mitchell to cart
About

About Endorphin Sound Library

Introducing Endorphin Sound Library, a new series of sound packs produced by sound designer and field recordist Peter Comley. ESL will cover subjects such as nature, aviation, antique machinery, international travel, and more.

Hello, I have been a sound designer professionally since 1999 and a field recordist for a lot longer than that. The bulk of my professional experience was with Microsoft. I have worked on quite a few AAA games (franchises such as Halo, Gears of War, Fable, Alan Wake, and others). My field recording activities are mostly independent. That habit eventually brought me here, because now I feel these sounds need to finally be heard and put to good use!

See all 404 publishers