TV sound effects for the box in the corner and the shows that come out of it. White noise and electrical hum off the screen, and glitches for a set that's going wrong. Then the show itself. Concert and show audiences clap and cheer, and bar ambiences put a television somewhere in the background of a night out.
This library of ambience sound effects features diverse bars, restaurants, and food courts, including quiet taverns, busy family eateries, and open-air street-side venues.
Deep, resonant sound effects captured using specialized equipment blend subsonic frequencies, drones, and rumbles, creating atmospheric elements ideal for horror and sci-fi productions.
This carefully curated collection features loopable Shepard tone sound effects, creating auditory illusions of endless rising or falling pitches for tension-building and vehicle design projects.
This comprehensive collection features 1000+ high-quality sound effects, including ambient surroundings, design elements, and Foley recordings, all captured at 96kHz/24bit for professional post-production applications.
Meticulously crafted glitch sound effects blend analog synthesizers, digital processing, and broken hardware to create versatile malfunctions and transmission failures for sci-fi and interface projects.
Diverse crowd sound effects capture authentic audience reactions, from rhythmic clapping to cheers, featuring varying group sizes and atmospheric intensities for professional media productions.
Carefully crafted sound effects capture temporal movement through hyper-lapse and time-lapse recordings, offering authentic audio transitions that convey the passage of moments.
A comprehensive collection of electromagnetic field sound effects featuring over 130 minutes of otherworldly recordings from various electrical devices, captured using the rare LOM Elektrosluch 3+ sensor microphone.
Recorded during an Amsterdam documentary shoot, this collection features 31 authentic stereo sound effects capturing the city's ambient environment for film and television use.
Electronic devices contribute raw sound effects captured from electromagnetic fields, offering versatile frequencies that serve both ambient textures and musical elements when filtered.
Static on a TV is horror shorthand, and the Haunted House set uses it that way, with TV white noise among door slams and spooky winds. Deep drones and subsonic rumbles go underneath for when the screen starts to mean something. Shepard tone loops give the illusion of a sound rising forever, which suits a set warming up or a broadcast taking over. The rest is the programme itself. The audience recordings come in different group sizes and reactions, so a TV show can get the crowd it needs. Glitches and electrical hum fill in the hardware, and the whole lot suits horror and any living room where the telly is on and nobody's watching.