Sound effects tag

Takeoff Sound Effects

Takeoff sound effects for anything leaving the ground in a hurry. Jets spooling up on the runway and thundering into the sky. Passenger planes heard from a seat inside, engines rising as the wheels leave the tarmac. Spaceships lifting off on a column of noise, and dragons beating their way into the air. Big or small, the climb is what sells it.

Libraries
86
Publishers
32
Formats
Mono, stereo, M/S, surround, ambisonic
Sample rates
44.1 to 192 kHz
Licence
Royalty-free for commercial work
Price range
$8 to $649
FiltersAll 86 libraries tagged TakeoffFilter by the spec, not just the subjectRecorded or designed, sample rate, bit depth, channel format, embedded metadata and file count. Narrow it down before you download anything.
Recorded or designed
RecordedDesigned

Recorded means captured in the field or a studio. Designed means built from other material.

Channel format
MonoStereoM/SSurroundAmbisonic

Mono for 3D positional audio. Ambisonic and surround for immersive mixes.

Embedded metadata
Tagged for Soundminer or UCSUntagged

Soundminer and UCS fields written into the files.

All 86 libraries tagged Takeoff.
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All 86 libraries tagged Takeoff

-56%
48 to 96 kHz, 16 to 24-bit. Formats: Stereo.
Sci-fi ambience sound effects featuring 189 stereo WAV files including alien planet atmospheres, deep space drones, spaceship interiors, futuristic alarms, spacecraft pass-bys, and cosmic void soundscapes.
189 files · 6.10 GB · Metadata
-56%
48 kHz, 16 to 24-bit. Formats: Stereo.
Dragon sound effects featuring over 250 designed roars, growls, fire breath, wing flaps, footsteps, tail swipes, and landing impacts with juvenile, giant, and underwater dragon variations for fantasy game and film use.
252 files · 225 MB · Metadata
48 kHz, 24-bit. Formats: Stereo.
This focused library of toy quadcopter sound effects includes flight maneuvers, close pass-bys, motor modulations, servo textures, and a range of electronic beeps and signals.
10 files · 127 MB · Metadata

A takeoff is a build. The engine rises and the pitch climbs, then the sound pulls away and thins out as the aircraft leaves the microphone behind. The jet recordings here come from airfields and air shows, while the cabin recordings give the passenger's view, the rumble through the seat and the rush as the nose lifts. From outside, a FlyBy often follows straight on, and Landing recordings close the loop. Sci-fi engines and dragons cover the made-up end, built to climb the way real aircraft do.

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