Sound effects tag

Reverse Impact Sound Effects

Reverse Impact sound effects that suck the air out of a scene before the hit lands. Low, heavy impacts played backwards so they swell up to a point, sitting alongside booms and sub hits from the same set. Built for action and fights.

Libraries
1
Publishers
1
Formats
Stereo
Sample rates
96 kHz
Licence
Royalty-free for commercial work
Price
$10

1 library tagged Reverse Impact

96 kHz, 24-bit. Formats: Stereo.
Low-frequency impact sound effects spanning 250 files of booms, huge and sub impacts, reverse hits and thunder impacts, delivered at 96kHz 24-bit for action scenes, fights and special effects.
250 files · 800 MB

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96 kHz, 24-bit. Formats: Stereo.
Layered sound effects deliver powerful low-frequency elements, seamlessly enhancing tracks with thunderous depth while integrating smoothly into impacts, ambiances, and musical compositions.
178 files · 2.45 GB · Metadata
96 kHz, 24-bit. Formats: Stereo.
Designed acoustic guitar sound effects featuring 70 evolving drones, cinematic impacts, processed risers, and creepy stingers suitable for sci-fi, horror, and trailer productions, delivered in 24-bit 96kHz format.
70 files · 2.03 GB · Metadata

A reverse impact is a swell that ends exactly where something else begins, so it works best just ahead of a cut or a punch, with the Sub-Bass doing the heavy lifting underneath. Line up its end with the hit. Because the booms and sub hits come from the same set, a reverse can run straight into a forward hit and they feel like a single event.

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