96 kHz, 24-bit. Formats: Stereo.
A library of fireworks sound effects featuring close-up bursts, distant ambiences with crowd reactions, and isolated single explosions for detailed design work or layering.
Sound effects tag
Pyrotechnics Sound Effects
Pyrotechnics sound effects, mostly fireworks, from a single rocket to a full display. Launch whistles, the thump of a shell, the crackle as it opens up and the echo rolling back off the buildings. Some are close and isolated for building your own. Others are long distant takes with the crowd cheering. Mine blasts turn up too, plus designed fire whooshes.
- Libraries
- 6
- Publishers
- 6
- Formats
- Stereo
- Sample rates
- 48 to 96 kHz
- Licence
- Royalty-free for commercial work
- Price range
- $10 to $39
All 6 libraries tagged Pyrotechnics
Only on Sonniss
96 kHz, 24-bit. Formats: Stereo.
Sound effects of fireworks, mining, and blasting. Recorded RAW using Sennheiser and Lom mics via Sound Devices and Sony recorders in MS/NOS stereo. Metadata included. Max peak -5dBFS.
$18.00
Add Fireworks FX to cart48 kHz, 24-bit. Formats: Stereo.
Recorded in Malta, this collection features both distant and urban firework sound effects, complete with crowd reactions, echoes, and ambient tracks for seamless integration.
-40%
96 kHz, 24-bit. Formats: Stereo.
Encompassing 255 high-quality sound effects, this collection features diverse fire elements, including swooshes, impacts, winds, and textured soundscapes, delivered in 24-bit/96kHz WAV format.
Was $50.00, now $30.00
Add Designed Fire to cart48 kHz, 24-bit. Formats: Stereo.
Five diverse firework sound effects capture authentic explosions, whistles, and bursts - delivering realistic pyrotechnic ambience for multimedia productions.
96 kHz, 24-bit. Formats: Stereo.
This collection features various explosive sound effects, including firecrackers, fireworks, and pyrotechnic devices, perfect for adding celebratory atmosphere to audio projects.
Fireworks are hard to record well. They're loud and they bounce off everything nearby, so the place matters as much as the rocket. The distant takes carry that, with echoes coming back off streets and buildings, which is what makes a celebration sound like a real town. The close Firework recordings are cleaner, ready to stack a launch and a burst into your own display. For bigger booms there's Explosion, and the fizzing tail of a shell has more company under Crackle. Editors use them for festivals and New Year scenes. Games put them on victory screens.
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