Off-Road sound effects recorded on the real machines. Compact and mid-sized SUVs and quad bikes get revved and sent past the microphones, and some sessions put more of them on the exhaust and inside the cabin. Lots of revs. The foley comes too, inside and out, along with the mechanical and electrical sounds of each vehicle at rest.
This Hummer sound effects library includes driving, interior and exterior foley, mechanical, and electrical sounds, delivered as 32bit/192kHz wav files with UCS-compliant metadata.
This library contains 32bit/192kHz Zastava military off-road sound effects of driving, interior/exterior foley, and mechanical/electrical recordings, delivered as UCS-compliant WAV files.
A library containing military off-road SUV sound effects of driving, interior and exterior foley, mechanical, and electrical components, delivered as 32-bit/192kHz wav files and is UCS compliant.
This library contains 179 Suzuki Jimny 1998 sound effects, including driving, foley, mechanical, and electrical recordings from both interior and exterior perspectives.
A collection of 190 sound effects capturing a 1977 Lada Niva SUV, featuring driving, interior and exterior foley, along with mechanical and electrical sounds.
Aodes PathCross 1000 L sound effects covering 101 files of dual-perspective engine and exhaust driving, RPM step holds, pass-bys, revving and cockpit foley recorded at 192 kHz.
This library contains 149 high-resolution sound effects of 50 different cars performing stereo pass-bys at multiple speeds, organized to the Universal Category System standard.
Sound effects library featuring a 2010 Arctic Cat 650 H1 ATV. Recorded at 32bit 192kHz via Zoom F6 with Rode NTG5, Lom Usi Pros, and EM258 microphones.
A hot-tempered two-stroke engine recording delivers authentic sound effects through dual engine and exhaust channels, capturing the raw mechanical intensity in high fidelity.
This quad bike recording features distinct sound effects captured through four separate channels, splitting both engine and exhaust tones for detailed acoustic clarity.
Most of these libraries treat each vehicle as a complete job, from driving to foley. The driving covers pass-bys and steady holds at set revs, with separate outside and inside perspectives, so a scene can cut from outside the SUV to the driver's seat without the engine changing character. The ATV sets add cockpit foley for quads. Together they suit rally scenes and open world games with plenty of rough ground to cross.