Sound effects tag

Muzzle Sound Effects

Muzzle sound effects from the business end. Rifles and submachine guns, a shotgun and a tank cannon, many recorded from right by the muzzle to well down the range. Single shots, doubles, triples, bursts. Wartime weapons sit next to modern ones, raw and cleaned, and there's a sci-fi blaster for guns that don't exist yet.

Libraries
12
Publishers
2
Formats
Mono, stereo, surround
Sample rates
48 to 96 kHz
Licence
Royalty-free for commercial work
Price range
$15 to $149
48 kHz, 24-bit. Formats: Stereo.
Modern weapon sound effects blend futuristic energy pulses with mechanical impacts, delivering high-quality recordings suitable for sci-fi productions and contemporary media.
48 files · 28.7 MB · Metadata
96 kHz, 24-bit. Formats: Mono, Stereo.
This comprehensive weapon sample library features detailed sound effects of the L7A2 machine gun, including single shots, tracers, and bursts, with both raw recordings and cleaned versions without ambient noise.
386 files · 4.22 GB · Metadata
96 kHz, 24-bit. Formats: Mono, Stereo, Surround.
Detailed combat shotgun recordings offer diverse firing sequences with clean and raw sound effects, featuring single to quintuple shots alongside authentic foley elements.
367 files · 2.7 GB · Metadata
96 kHz, 24-bit. Formats: Mono, Stereo.
Detailed firing sequences of the Belgian P90 weapon feature sound effects from single shots to bursts, with both raw and clean versions, plus supplementary foley recordings.
622 files · 2.5 GB · Metadata
96 kHz, 24-bit. Formats: Mono, Stereo.
Comprehensive collection captures the MP5 submachine gun's diverse firing sequences and sound effects, featuring both raw recordings and pristine versions with ambient noise removed.
563 files · 2.99 GB · Metadata
96 kHz, 24-bit. Formats: Mono.
Comprehensive Soviet AKM rifle recordings feature diverse firing sequences with sound effects, both raw and cleaned versions, plus detailed Foley captures of weapon handling.
610 files · 3.6 GB · Metadata

Several of these were recorded on lots of channels at once, at distances from right by the muzzle to well down the range, so the shot can sit wherever the camera is. Every angle, more or less. The firing comes as single shots, a Double Shot or a Triple Shot and longer bursts, with raw and cleaned versions to pick from. Wild foley of the weapons being handled comes alongside, so the handling can match the gun. The cannon was fired with blanks, and another tank recording caught a diesel engine during a firing exercise, which suits a war film with armour on the move.

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