Mag Out sound effects for the start of every reload. The release pressed and the magazine pulled or dropped free. Pistols, submachine guns and rifles, most with their foley recorded next to the shots. Some of the foley is natural, some recorded in a studio. It's a small sound, but a reload falls apart without it.
Desert Eagle 50 sound effects capturing single shots and Monster ammo at 0m, 1m, 10m and 40m perspectives, plus charging, dry fire, magazine moves and safety handling.
Extensively recorded rifle sound effects featuring five weapons, with mechanical details and precise audio captured through twenty microphone positions, including close-range Neumann KRM recordings and distant perspectives.
Professional recordings capture diverse firing sequences of a SIG P229, featuring clean and raw sound effects, complemented by both natural and studio foley recordings.
Comprehensive Finnish sniper rifle recordings feature diverse sound effects, including silenced shots, subsonic rounds, and both raw and cleaned audio, plus detailed foley elements.
This comprehensive firearm library features detailed sound effects from the Steyr TMP 9mm, including varied shot sequences, pristine edits, and both raw recordings with ambiance and cleaned versions.
Multiple firing sequences of an Israeli Uzi 9mm capture authentic sound effects, featuring both raw and cleaned versions, complemented by detailed foley recordings for comprehensive audio options.
Comprehensive collection featuring authentic Mini Uzi 9mm sound effects, offering diverse firing sequences, pristine cleaned recordings, and both wild and dedicated foley elements.
Detailed recordings of M10 9mm firearm featuring various shooting patterns and sound effects, complemented by raw and clean versions plus comprehensive foley elements for authentic audio design.
Professional recordings capture diverse firing sequences and sound effects of the FN Five-seveN pistol, featuring multiple distances, perspectives, and both raw and cleaned audio, plus complementary foley elements.
British Enfield L86 weapon recordings feature diverse firing sequences, pristine sound effects with clean and raw versions, alongside dedicated wild and studio foley captures.
A reload in a game is usually built from parts, and the mag out comes first: release, magazine out, then Mag In and the charge. Order matters. These libraries record the handling next to the firing, so the reload and the shot come from the same gun. Plenty of it comes raw and cleaned, which helps when the mix needs grit or polish. The firing side covers shots and bursts from close up out to a distance, with a Dry Fire click for the moment the magazine runs empty. Between them they cover most of a shooter's loadout, from handguns to rifles.