192 kHz, 32-bit. Formats: Mono, Stereo.
A library of driving, foley, mechanical, and electrical sound effects, delivered as 32-bit/192kHz WAV files and organized with the Universal Category System.
Sound effects tag
Arrival Sound Effects
Arrival sound effects, mostly trains pulling into stations. Steam engines hissing to a stop, underground trains screeching in, trams rattling up to the platform, with doors, announcements and passengers all around. Cars arrive too, rolling up and stopping, from supercars to little electric runabouts. It's the sound of something getting somewhere. Brakes, mostly.
- Libraries
- 62
- Publishers
- 15
- Formats
- Mono, stereo, M/S, surround, ambisonic
- Sample rates
- 44.1 to 192 kHz
- Licence
- Royalty-free for commercial work
- Price range
- $9 to $449
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All 62 libraries tagged Arrival
192 kHz, 32-bit. Formats: Mono, Stereo.
A library of 32bit/192kHz sound effects containing driving, foley, mechanical, and electrical recordings. Files are delivered as WAVs with UCS-compliant metadata.
192 kHz, 32-bit. Formats: Mono, Stereo.
This library of 32bit/192kHz sound effects includes driving, interior and exterior foley, plus mechanical and electrical recordings. Files are provided as UCS-compliant WAVs.
192 kHz, 32-bit. Formats: Stereo.
A collection of driving, exterior foley, mechanical, and electrical sound effects provided as 32bit/192kHz wav files. Professionally recorded using Sound Devices, RØDE, and Shure microphones.
192 kHz, 32-bit. Formats: Stereo.
A collection of 32-bit, 192 kHz WAV files featuring driving, foley, mechanical, and electrical sound effects, recorded with multiple microphones and recorders, and UCS compatible.
96 kHz, 24-bit. Formats: Stereo.
Authentic urban sound effects capture Warsaw's essence through 206 minutes of ambient recordings, from bustling Old Town squares to tranquil parks and public transport atmospheres.
$69.00
Add Warsaw to cart96 kHz, 24-bit. Formats: Stereo.
Professional ambience recordings capture the dynamic energy of rush hour, featuring sound effects from busy corporate crowds and business district pedestrians.
96 kHz, 24-bit. Formats: Stereo.
These airport recordings capture diverse crowd ambiences and sound effects, featuring terminal activity from multiple distances and varying passenger densities across 29 detailed atmospheres.
96 kHz, 24-bit. Formats: Stereo.
Authentic sound effects capture daily commuting in Manchester, featuring comprehensive ambience recordings from train stations, railway interiors, and bustling city environments.
$40.00
Add The Commute to cart96 kHz, 24-bit. Formats: Stereo.
An authentic collection of British railway environments, featuring diverse sound effects from station ambience to interior recordings, including tannoy announcements, passenger movements, and mechanical noises.
96 kHz, 24-bit. Formats: Stereo.
Detailed recordings capture authentic London transport ambience, featuring underground and railway sound effects, from screeching rails to passenger chatter and station announcements in high-quality 24-bit format.
96 kHz, 24-bit. Formats: Mono, Stereo, Surround.
A comprehensive collection capturing the Jaguar F-Type's V8 engine sound effects through 323 clips, featuring onboard and exterior recordings, plus vehicle maneuvers and mechanical operations.
96 kHz, 24-bit. Formats: Stereo.
Natural train journey sounds featuring interior ambience, passenger activity, sound effects of engines, doors, and announcements recorded during a Northern UK rail route.
96 kHz, 24-bit. Formats: Stereo.
Authentic train station sound effects captured in the UK, featuring crowd movements, northern accents, tannoy announcements, ticket booth ambience, and various train activities.
192 kHz, 32-bit. Formats: Mono, Stereo.
A collection of 63 sound effects from a Yamaha FJR1300 2001 motorcycle, including driving, foley, mechanical, and electrical recordings in WAV and UCS formats.
96 kHz, 24-bit. Formats: Mono, Stereo, M/S, Surround.
Racing enthusiasts can explore 337 high-quality sound effects from a McLaren 720S Spider, featuring exterior passes, onboard engine recordings, and specialized Ambisonic interior captures.
A train arrival has a shape: the rumble growing in the distance, the squeal of the brakes, a hiss or a clunk as it stops, then the doors. Recording it from the platform gets that whole build in a single take. The station around it matters as much as the train, which is why so many of these come with platform crowds and announcements. Cars and bikes pulling up cover the rest, with an Exhaust burble dropping to idle. Pair any arrival with its Departure and a character can get in and out of a scene.
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