192 kHz, 24-bit. Formats: Mono, Stereo.
A collection of 123 sound effects featuring rubber mallets dragged across surfaces like metal, glass, and wood to produce detailed vibrations, creaks, squeaks, and groans.
Sound libraries
Rubber Sound Effects
Rubber sound effects have a bit of give in them that nothing else fakes. Squeaks and bounces. Neoprene stretching as someone moves about in a wetsuit, wet and dry. A glove pulled tight and let go with a snap. Most of it is plain foley for scenes that need to sound real, and it sits nicely under a tire or a ball hitting the ground.
- Libraries
- 14
- Publishers
- 7
- Formats
- Mono, stereo, M/S
- Sample rates
- 96 to 192 kHz
- Licence
- Royalty-free for commercial work
- Price range
- $9.30 to $499
Just added
New in Rubber
192 kHz, 24-bit. Formats: Stereo.
A library of 385 balloon sound effects recorded at 192kHz, including metallic impacts, stretching, creaks, swirls, and classic inflation and deflation sounds.
$15.00
Add Balloon Fun to cart96 kHz, 24-bit. Formats: Stereo.
A 13.7 GB sound effects library featuring 8,304 high-resolution material recordings, including cardboard creaks, metal impacts, tape rips, fabric rustles, and wood textures, organized with UCS-compliant metadata.
96 kHz, 24-bit. Formats: Stereo.
Professional Foley artists captured authentic sound effects using high-end Sennheiser equipment, delivering studio-quality recordings suitable for films, games and TV productions.
All 14 libraries in Rubber
192 kHz, 24-bit. Formats: Stereo.
Classic cartoon-style sound effects, featuring organic recordings of instruments and props, including harmonica, accordion, violin, and slide whistle for animated movements and slapstick moments.
192 kHz, 24-bit. Formats: Stereo.
Nostalgic cartoon sound effects include whimsical wobbles, wooden snicks, toy squeals, and classic wind-up rhythms, meticulously crafted in high-quality 24Bit 192kHz format for animation projects.
96 kHz, 24-bit. Formats: Mono.
Detailed mechanical stamp recordings featuring rich sound effects from Danish office classics, offering versatile design elements when pitched and multiple performance variations per device.
192 kHz, 24-bit. Formats: Stereo.
Meticulously crafted sound effects capture bone-crunching impacts, flesh-tearing violence, and monstrous bites, recorded with vegetables and fruits to create authentic horror audio at 24-bit quality.
192 kHz, 24-bit. Formats: Stereo.
Inside vast industrial spaces, authentic sound effects encompass metallic footsteps, heavy machinery, and large equipment, captured at high-quality 24-bit/192kHz with detailed metadata tagging.
96 kHz, 24-bit. Formats: Mono.
Through meticulous studio recording, this collection captures authentic sound effects of wet Neoprene materials, featuring detailed movements and interactions with wetsuits, boots, gloves, and related gear.
96 kHz, 24-bit. Formats: Mono.
Professional recordings capture 534 distinct ball-bouncing sound effects on various surfaces, ranging from common sports equipment to specialized items like yoga and toddler play balls.
$25.00
Add Ball bounces to cart192 kHz, 24-bit. Formats: Mono, Stereo.
This comprehensive collection features 625 plastic-based sound effects, from balloon pops to bubble wrap crackles, recorded at 192 kHz with high-frequency microphones for professional sound design applications.
96 kHz, 24-bit. Formats: Mono.
This collection captures authentic sound effects from dry Neoprene materials, featuring detailed movements and interactions with wetsuits, boots, gloves, vests, and other garments recorded in studio conditions.
96 kHz, 24 to 32-bit. Formats: Stereo, M/S.
A comprehensive library of high-quality sound effects spanning 41 categories, featuring meticulously edited 24/32-bit recordings, from ambient nature sounds to mechanical and human-generated audio elements.
For anything involving elasticity, friction or flexible materials in motion. Film scenes. Game mechanics. UI interactions. They all benefit from that unmistakable rubbery texture, and more tactile sounds sit next door in Materials & Textures, Tire Vehicles, Objects, and Sports.
Before you buy
Where do I start?
Tell us what you are making and we will narrow it down for you. Or start from a recordist whose work you already know. Some release here and nowhere else.
Can I use these commercially?
Yes. One licence covers commercial use, including client work, broadcast and games. No subscription, and nothing expires.
Film, games, audiobooks, all of it?
All of it. The licence does not care what you are making. Audiobooks, podcasts, film, television, games, theatre, advertising, installations.
Do you accept AI-generated sounds?
No. Every library here was recorded or designed by people. We do not accept generated audio from publishers.
How do I know a sound is in there before I pay?
Libraries publish a full tracklist, linked on the library page, and you can play the previews first. Still not sure? Ask us and we will check for you.
Will the files work with my setup?
Everything is WAV. 4,112 libraries carry embedded metadata for Soundminer and UCS, and the sample rate, bit depth and channel format are shown on the library page before you open it.
Where are the full licence terms?
On the licence page, in full, before you buy. Studio and multi-seat terms are there too.