Sound library

Mountain Air

Kuči Mountains sound effects featuring 87 recordings from the border of Montenegro and Albania at 1,400 to 1,700 meters, spanning still air to gale-force wind gusts, night crickets, forest birds, and distant mountain village life.

Sound Files
87 files
Total Size
20.4 GB
Sample Rate
192 kHz
Format
Stereo
Metadata
Yes
Bit Depth
24 bits
PublisherPMSFX43 libraries on Sonniss
Mountain Air

Preview Track

Streaming preview · Full quality on download
About this library

Description

Mountain Air: Ambiances & Winds is the largest library I’ve ever recorded. It features 87 recordings totaling nearly 5 hours of mountain soundscapes, all captured in the Kuči Mountains on the border of Montenegro and Albania at altitudes between 1,400 and 1,700 meters.

Getting to these locations meant hours of rough off-road driving that required a solid 4WD. The isolation was worth it. These spots gave me access to completely untouched mountain environments where I could record everything from dead-calm air to gale-force winds without any human interference.

The library includes:

  • Still air and quiet atmospheres
  • Wind recordings from gentle breezes to powerful gusts
  • Natural soundscapes with crickets, birds, and wildlife across forests, valleys, and meadows
  • Very distant traces of mountain village life, like faint dog barks and cow calls from small settlements (called Katun in Serbian/Croatian)

Everything’s tagged with UCS-compliant metadata so you can find what you need quickly. The recordings were made between spring and fall since winter makes these trails nearly impossible to navigate, even with proper equipment.

This library is a collection that captures high-altitude wilderness in a way I haven’t heard anywhere else.

“My latest projects have been time pieces and early eras with locations in the mountains through trails, lakes and rivers during day and night. I’ve relied and used specifically the PMSFX libraries Mountain Air, Rain and Thunder, CEM River and Old Drawers to capture and create authentic soundscapes for the final mix. With 192kHz/24 bit rate we’re able to create perspective changes through pitch and time without affecting the quality of Phil’s recordings. Amazing sound collection.”

– George Haddad, Supervising Sound Editor (Landman, 1932, 1883, Lawmen: Bass Reeves)

Video preview

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