Vinyl sound effects from real records and the players that spin them. The crackle and pops of an old disc, and the scratch when it gets dragged back. Foley of records and players being handled sits alongside. There's an old auto-changer in action too. It drops the next record by itself, which is a lovely bit of period machinery.
Organic sound effects from vinyl players, featuring scratches, pops, and Foley recordings, alongside rhythmical samples captured in high-quality 24-bit/96kHz format from three distinct turntables.
Vintage vinyl recordings come alive through meticulous sound effects, featuring authentic record scratches, crackles, stylus movements, and a classic 1960s Dansette auto-changer in action.
1325 individual sound effects of foley for cameras, disks, tapes, vinyl, and radio recordings. Cleaned, volume-matched, and ready for middleware integration.
Deep resonating sound effects from gramophone recordings, captured using Lom Geofon technology, feature ultra-low frequencies and mysterious tones suitable for professional audio production.
Comprehensive collection of high-quality sound effects spanning party ambiance, mechanical UI, sewing machines, orchestral tracks, and general effects - featuring over 4,000 professionally recorded samples at various bit rates.
Atmospheric sound effects blend organic instruments with eerie metals and rhythmic elements, delivering 208 horror-focused loops and FX at 75 BPM for intense scene-building.
Atmospheric sound effects blend seamlessly with vinyl cuts, metal hits, and vocal elements, creating rich ambient layers perfect for cinematic backgrounds and dramatic tension.
Through varied tubes of bamboo, PVC, and metal, this collection captures unique sound effects featuring hollow drones, resonant strikes, and misty textures created using shotgun microphones inside tubular structures.
Meticulously crafted sound effects featuring rushing movements, from sparse details to overwhelming cascades, created using diverse sources including vehicles, friction sounds, and mechanical elements.
Crackle is the quickest way to age a sound, and here it comes off real records rather than a filter. Real dust. Lay it under a clean recording and the scene drops back a few decades. The scratch recordings come from several turntables, with pops and stylus movements for close-ups on the deck. Wider vintage foley puts vinyl beside cameras and radios, so a retro room can be built from matching sources, with more old media in Cassette. They suit period dramas and flashbacks, and horror with an old record turning in an empty house.
