44.1 to 48 kHz, 24-bit. Formats: Stereo.
This collection of over 500 sound effects covers electricity, digital glitches, and futuristic malfunctions, including sparks, hums, robotic errors, high-voltage bursts, and chaotic system failures.
Sound effects tag
Transmission Sound Effects
Transmission sound effects, mostly the radio kind. Military chatter crackling over walkie-talkies, and spaceship crews calling in from deep space. Data bleeps pouring out of a retro computer. And the other meaning too, a race car's gearbox whining through its gears. Plenty of static, naturally.
- Libraries
- 98
- Publishers
- 40
- Formats
- Mono, stereo, M/S, surround, ambisonic
- Sample rates
- 44.1 to 192 kHz
- Licence
- Royalty-free for commercial work
- Price range
- $5 to $299
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All 98 libraries tagged Transmission
48 kHz, 24-bit. Formats: Stereo.
This library provides transmission and glitchy sound effects, covering technical malfunctions, digital disturbances, and electronic sci-fi audio for various projects.
48 kHz, 24-bit. Formats: Stereo.
Over 430 futuristic sound effects span hologram noises, UI alerts, and sci-fi room tones, delivering high-quality audio elements for control rooms, displays, and space-themed projects.
96 kHz, 24-bit. Formats: Stereo.
Military radio transmissions, electromagnetic interference, and static sound effects blend with hardware synths, creating versatile elements for authentic communication and signal design projects.
96 kHz, 24-bit. Formats: Stereo.
Electronic interferences, glitches, and transmission noises comprise this 224-track collection of high-definition sound effects, featuring synthesized buzzes, hums, and malfunctions for multimedia projects.
96 kHz, 24-bit. Formats: Stereo.
Modern communication signals merge with interference patterns in this expansive collection, featuring over 530 distinct sound effects spanning one gigabyte of digital tones and accents.
96 kHz, 24-bit. Formats: Mono, Stereo.
Diverse collection featuring 257 high-quality sound effects captured using specialized microphones, including raw materials and designed elements spanning metal, glass, water, and servo motors.
192 kHz, 32-bit. Formats: Mono, Stereo.
Innocenti Koral 1990 sound effects featuring 192 high-resolution files of synchronized engine, exhaust, and interior driving perspectives, alongside dynamic exterior pass-bys and comprehensive utilitarian vehicle foley.
96 to 192 kHz, 24-bit. Formats: Mono, Stereo.
This mini science-fiction collection provides sound effects for ambiences, UI, weapons, voices, and power sources, intended for designing futuristic worlds and off-world environmental soundscapes.
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96 kHz, 24-bit. Formats: Mono, Stereo.
This collection of 497 sound effects features the Kawasaki Ninja ZX-10R and Z750, covering driving maneuvers, pass-bys, startups, revs, idle, and various handling foleys.
Was $45.00, now $36.00
Add Motorcycles | Kawasaki to cart48 to 192 kHz, 24-bit. Formats: Mono, Stereo.
This library of science-fiction sound effects includes planetary ambiences, weapons, UI textures, sci-fi voices, radio transmissions, power fluctuations, and various electromagnetic system sounds.
96 kHz, 24-bit. Formats: Stereo.
A collection of 1,057 user interface sound effects, including notifications, alarms, clicks, and swipes for mobile and desktop devices. All files are 24/96 BWF with metadata.
44.1 kHz, 16-bit. Formats: Stereo.
A library offering glitchy, futuristic sound effects including malfunctioning tech, robotic twitches, and stuttering systems for sci-fi games, films, and projects.
48 kHz, 24-bit. Formats: Stereo.
A collection of glitchy, twisted, and twitchy sound effects. Includes robotic glitches, system failures, and sci-fi malfunctions for futuristic content.
48 kHz, 24-bit. Formats: Stereo.
Immersive futuristic soundscapes blend with digital data sound effects, creating atmospheric environments suitable for modern sci-fi gaming and interactive experiences.
48 kHz, 24-bit. Formats: Stereo.
This collection delivers sci-fi sound effects which enhance user experience, featuring forward-thinking audio elements crafted for modern digital applications.
Radio transmissions are mostly about what's missing. Cut the low end and squash the voice, then add Static and the odd dropout, and a clean line sounds like it's come a long way. The chatter libraries do that work for you, with crew voices and military calls already processed. Sci-fi collections add Signal beeps and power fluctuations for comms panels, and broken robot sets bring the sound of a message falling apart. Gearbox recordings from a race car cover the mechanical meaning, useful for onboard racing shots. War films and space games lean on the radio side constantly.
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