Sound effects tag

SPAS-12 Sound Effects

SPAS-12 sound effects for the dual-mode combat shotgun, fired both ways: pump action and semi-automatic. Shots recorded from right up close to far down the range, with the loading and pumping around them. Heavy and loud. Solid slug rounds too, in raw and cleaned up versions.

Libraries
2
Publishers
1
Formats
Mono, stereo, surround
Sample rates
96 kHz
Licence
Royalty-free for commercial work
Price range
$125

All 2 libraries tagged SPAS-12

96 kHz, 24-bit. Formats: Mono, Stereo, Surround.
Detailed combat shotgun recordings offer diverse firing sequences with clean and raw sound effects, featuring single to quintuple shots alongside authentic foley elements.
367 files · 2.7 GB · Metadata

More like this

96 kHz, 24-bit. Formats: Stereo.
Professional recordings capture diverse sound effects from a 1990 Beretta 1201F shotgun, offering multiple perspectives, handling noises, and gunshots across 55 clips with comprehensive metadata and pre-aligned sessions.
55 files · 1.73 GB · Metadata
96 kHz, 24-bit. Formats: Mono, Stereo.
Professional recordings of a USAS-12 automatic shotgun capture diverse firing sequences, clean sound effects without ambient noise, plus detailed foley elements for authentic weapon audio implementation.
552 files · 2.4 GB · Metadata
48 kHz, 24-bit. Formats: Stereo.
This comprehensive collection features authentic shotgun sound effects, including detailed shell loading, pump actions, safety switches, and multiple firing variations captured with precision.
27 files · 53 MB · Metadata
48 to 192 kHz, 24-bit. Formats: Mono, Stereo, M/S, Surround, Ambisonic B.
This comprehensive collection features SAIGA-12 shotgun sound effects, including live shots, designed tails, detailed foley recordings, and game-ready assets with multiple microphone configurations and variations.
785 files · 1.78 GB · Metadata

Pump action and Semi-Automatic fire sound different on screen: the pump puts a big mechanical rack between every shot, while semi-auto fires as fast as the finger. Matching the mode to the action keeps the scene honest. The slug recordings come with birds and background noise cleaned out, and the main set has editing sessions with the takes already lined up.

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