96 kHz, 24-bit. Formats: Mono, Stereo.
Comprehensive collection captures the MP5 submachine gun's diverse firing sequences and sound effects, featuring both raw recordings and pristine versions with ambient noise removed.
Sound effects tag
MP5 Sound Effects
MP5 sound effects in all the places a gun gets fired. Single shots and bursts at different distances, raw and cleaned. Then the acoustics. Indoors it's fired in a stone hall and down a long corridor, and outdoors it goes off across open ground and out into valleys. Up close, the mechanics get their own session.
- Libraries
- 6
- Publishers
- 3
- Formats
- Mono, stereo, M/S, surround
- Sample rates
- 96 to 192 kHz
- Licence
- Royalty-free for commercial work
- Price range
- $25 to $199
All 6 libraries tagged MP5
96 kHz, 24-bit. Formats: Mono, Stereo, M/S, Surround.
Professional indoor sound effects library capturing extensive gunfire recordings of six firearms across five room types, featuring multi-channel recordings from various distances and perspectives.
192 kHz, 24-bit. Formats: Mono.
Multiple layered metal sound effects, including gun mechanics, reloads, and suppressors, recorded at high quality with Sennheiser microphones and organized into source, designed, and synced categories.
96 kHz, 24-bit. Formats: Mono, Stereo, Surround.
Diverse gun sound effects captured in various indoor spaces, including catacombs, halls, and corridors, featuring burst and single shots from multiple weapon types for authentic sound design.
96 kHz, 24-bit. Formats: Mono, Stereo, M/S, Surround.
Comprehensive collection of firearms captured across diverse acoustic environments, featuring sound effects from automatic weapons to handguns, recorded at varying distances in natural and urban settings.
96 kHz, 24-bit. Formats: Mono.
Comprehensive firearms library featuring intricate mechanical sound effects from six weapons, recorded with multiple microphones to capture both intimate details and ambient room characteristics.
An MP5 in a corridor and an MP5 in a field sound like different guns. The room does a lot of the work, so pick the recording made in the kind of space the scene is set in and let the tail do the selling. For a hyper-real edge, metal sweetener layers add bite to the mechanics and reloads, and there are Suppressor layers too. It all suits tactical shooters, raid scenes and any Submachine Gun that has to sound like the real thing. The clean takes drop into any location, and the raw ones keep the outdoors in.
Related tags
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