192 kHz, 32-bit. Formats: Mono, Stereo.
Rotax 125 Senior Max Evo go-kart sound effects across 52 WAV files, covering engine and exhaust perspectives of static RPM holds, race track laps, pass-bys, revs, overtakes and false starts.
Sound effects tag
Motorsport Sound Effects
Motorsport sound effects from real tracks. Superbikes in practice, race bikes on a grand prix circuit, a racing kart lapping and overtaking, and race cars drifting through the corners at a race meeting. Then everything around the track. Commentary, crowds and paddock atmospheres. Engines come first, but the event around them is here as well.
- Libraries
- 13
- Publishers
- 7
- Formats
- Mono, stereo, M/S, surround, ambisonic
- Sample rates
- 48 to 192 kHz
- Licence
- Royalty-free for commercial work
- Price range
- $7 to $179
All 13 libraries tagged Motorsport
96 kHz, 24-bit. Formats: Ambisonic B.
Professional motorbike racetrack sound effects recorded from multiple perspectives and microphone setups. Features diverse engine types, raw passbys, approaches, and ambiences from a real track day.
192 kHz, 24-bit. Formats: Stereo.
Racing cars generate powerful sound effects in this hour-long collection, featuring pristine engine recordings from classic sports vehicles captured at three track locations without crowd interference.
192 kHz, 24-bit. Formats: Stereo.
Authentic racing ambiance featuring two-language commentary, crowd sounds, and close-up sound effects of Caterham vehicles recorded from prime trackside positions during competitive events.
192 kHz, 24-bit. Formats: Stereo.
Raw, high-quality sound effects capture modified Citröen C1 racing vehicles, featuring intense engine revs, drifting, and pass-by recordings from strategic track positions.
96 kHz, 24-bit. Formats: Mono, Stereo, M/S, Surround.
Professional onboard and exterior sound effects capture a Citroën DS3 rally car, featuring 207 clips across multiple perspectives, including custom mixdowns and Ambisonic recordings of engine, exhaust, and driving maneuvers.
192 kHz, 24-bit. Formats: Ambisonic B.
This motorsport recording library features authentic racing sound effects, including engine revs and drifting, captured in ambisonics at two track locations alongside bilingual commentary and ambient crowd noise.
192 kHz, 24-bit. Formats: Ambisonic B.
Professional motorcycle sound effects captured at a racetrack, featuring clear engine recordings from two locations, with B-format audio convertible to various surround formats using compatible plugins.
192 kHz, 24-bit. Formats: Ambisonic B.
Racing motorcycles recorded in ambisonics deliver authentic sound effects, featuring hour-long takes of high-speed passes, engine revs, and corner maneuvers without crowd interference.
192 kHz, 24-bit. Formats: Ambisonic B.
Racing sound effects captured in B-format ambisonics include modified Citröen C1 vehicles at finish line and corner locations, featuring engine revs, drifts, and drive-bys without crowd interference.
96 kHz, 24-bit. Formats: Stereo.
Comprehensive motorsport sound effects captured at Croatia's Automotodrom Grobnik, featuring detailed race recordings from multiple distances and paddock atmospheres, with thorough technical metadata documentation.
Only on Sonniss
96 kHz, 24-bit. Formats: Mono, Stereo.
This high-speed Porsche 996 GT3 recording captures authentic sound effects through multiple microphone positions, documenting both interior acoustics and the powerful 3.6L engine's performance at Nurburgring.
48 kHz, 24-bit. Formats: Stereo.
Atmospheric racing ambience captured at Germany's Hockenheimring circuit delivers authentic sound effects through seven stereo recordings suitable for film and television productions.
Trackside recording is about distance and timing. A bike or car arrives and goes, so the pass-bys here are caught from several spots around the circuit, close in and far off. The kart recordings go further, with engine and exhaust recorded separately for laps and overtakes. For the build-up and the result, crowds and commentary set the scene, and the Pit Lane and paddock fill the gaps between races. Some of the bike sessions were recorded early in the morning, which keeps the background quiet and the engines clean in a mix.
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