Military Vehicle sound effects from armoured patrol cars all the way down to light utility vehicles. They get driven past and recorded from inside the crew space. Heavy kit. There are impulse responses taken inside vehicles too, so a line of dialogue can be placed in the same cabin.
This library contains 32bit/192kHz Zastava military off-road sound effects of driving, interior/exterior foley, and mechanical/electrical recordings, delivered as UCS-compliant WAV files.
Professional sound effects library containing 143 impulse responses captured inside 37 vehicles, spanning aircraft, tanks, cars, and more, recorded with high-end microphones in multiple formats.
Professionally captured sound effects from a 1960s Bofors artillery vehicle, featuring engine, drive-by, and operational recordings across 27 perspectives, including Ambisonic interior captures.
96 kHz, 24-bit. Formats: Mono, Stereo, M/S, Surround, Ambisonic A.
This comprehensive military vehicle collection captures authentic sound effects from a vintage BRDM-2, featuring extensive interior, exterior, and mechanical recordings through 28 synchronized channels.
Detailed military vehicle sound effects featuring 713 recordings of a vintage OT-64 APC, capturing engine operations, interior mechanics, and exterior movements from multiple perspectives with professional metadata.
This detailed military sound effects library captures a 1942 Swedish APC through multiple perspectives, featuring engine recordings, exterior passes, and mechanical elements across 684 high-quality clips.
Comprehensive military vehicle sound effects captured from the Warrior Fighting Vehicle, featuring engine dynamics, mechanical movements, and detailed onboard recordings across 156 high-quality files.
This authentic military vehicle library captures comprehensive sound effects from a Hercules-powered M8 Greyhound, including detailed engine dynamics, maneuvers, and movement variations.
44.1 to 48 kHz, 16 to 24-bit. Formats: Mono, Stereo.
Extensive military base recordings capture authentic ambient sounds, from soldier movements and drills to control room operations, while diverse sound effects include aircraft, convoys, and commands.
These are big sessions with many microphones. The armoured patrol car and the artillery vehicle were recorded inside the crew compartment and outside all at once, so an Armored Vehicle can cut from a convoy shot to the driver's seat without a jump. The utility vehicles cover driving and foley inside and out, down to the mechanical and electrical side of each machine. Proper period kit. They suit war films and military games, and the impulse responses help put radio chatter or a commander's voice inside the hull of a tank.