Game Developer sound effects sit inside wider collections built with games in mind. Spaceships of every size, from speeder bikes to motherships, take off, fly, fire and land next to medieval and fantasy backgrounds that loop without repeating, from village markets to battlefields in the rain. Then the voices. Robot computer voices that can say almost anything, a word at a time.
A game needs sound in layers, and these cover the big ones. The ambience loops come in full and simplified mixes, short and long, so a level can run on without the background giving itself away. The spaceship sets include interior ambiences for a Control Room, plus alarms, sirens, engine startups and shutdowns. The computer voices come in adult and child versions, with confirmations, warnings, questions and the numbers a menu or cockpit might call out. The delivery is neutral, so the same voice works for a hero or a villain.
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