96 kHz, 24-bit. Formats: Mono.
Electronic interference and machine sounds, captured through induction coils, feature droning and buzzing sound effects with dynamic movements from everyday devices like phones and laptops.
Sound effects tag
Electronic Sound Effects
Electronic sound effects from real kit and from the hidden side of it. Buttons and switches off hi-fi gear and kettles. Phones ringing and vibrating. Then the stuff you can't hear without special microphones: electromagnetic noise and glitches coming off everyday devices. Good for sci-fi screens and anything with a circuit board in it.
- Libraries
- 82
- Publishers
- 46
- Formats
- Mono, stereo, surround
- Sample rates
- 44.1 to 192 kHz
- Licence
- Royalty-free for commercial work
- Price range
- $5 to $100
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All 82 libraries tagged Electronic
96 kHz, 24-bit. Formats: Stereo.
Dark ambience sound effects spanning 41 short futuristic atmospheres, drones, hums, and textures for building tension, mood, and space, delivered as 96 kHz / 24-bit stereo WAV files.
-28%
96 kHz, 24-bit. Formats: Mono, Stereo.
Electromagnetic interference sound effects recorded at 96kHz from active shipboard equipment including boiler panels, engine control room indicators and purifiers, capturing pulses, buzzes, glitches, whines and digital noise.
Was $35.00, now $25.00
Add Voices of the Ether to cart96 to 192 kHz, 24-bit. Formats: Mono, Stereo.
This mini library contains over 200 recorded and designed sound effects of elemental forces, including fire, water, earth, air, glass, and electromagnetic textures.
44.1 to 48 kHz, 24-bit. Formats: Stereo.
This collection of over 500 sound effects covers electricity, digital glitches, and futuristic malfunctions, including sparks, hums, robotic errors, high-voltage bursts, and chaotic system failures.
96 kHz, 24-bit. Formats: Stereo.
A collection of 1,490 sound effects for business, money, and retail, featuring office equipment, cash transactions, telephones, computers, and general paper sounds.
48 kHz, 24-bit. Formats: Stereo.
This focused library of toy quadcopter sound effects includes flight maneuvers, close pass-bys, motor modulations, servo textures, and a range of electronic beeps and signals.
-33%
48 kHz, 24-bit. Formats: Stereo.
Over 400 futuristic sound effects, including whooshes, glitches, and cyber sweeps, organized into short, medium, and long transition files.
Was $14.99, now $10.04
Add Futuristic Transitions to cart96 kHz, 24-bit. Formats: Stereo.
Includes 50 short music tracks, 27 loops, and 53 cartoon voice sound effects. Library contains 203 WAV files; 96kHz, 24-bit.
44.1 kHz, 16-bit. Formats: Stereo.
This library provides 213 original, designed sci-fi robotic sound effects. It includes high-quality files for futuristic, tech, and AI audio needs.
44.1 kHz, 16-bit. Formats: Stereo.
A library offering glitchy, futuristic sound effects including malfunctioning tech, robotic twitches, and stuttering systems for sci-fi games, films, and projects.
48 kHz, 24-bit. Formats: Stereo.
This library provides transmission and glitchy sound effects, covering technical malfunctions, digital disturbances, and electronic sci-fi audio for various projects.
96 kHz, 24-bit. Formats: Mono.
Vintage Australian telephone sound effects spanning three decades, featuring authentic rotary and touch-tone models with both US and Australian ring patterns, delivered in high-resolution formats.
96 kHz, 24-bit. Formats: Stereo.
This collection offers 73 high-quality sound effects samples of vintage devices, including cassette players, Polaroids, and classic radios, recorded at 96kHz/24bit for authentic retro textures.
$20.00
Add Analog Gear to cart96 kHz, 24-bit. Formats: Stereo.
Using specialized microphones, this collection features over 100 electromagnetic sound effects captured from various devices, offering 36 minutes of glitchy, machine-generated audio in high-quality formats.
48 kHz, 24-bit. Formats: Stereo.
Immersive futuristic soundscapes blend with digital data sound effects, creating atmospheric environments suitable for modern sci-fi gaming and interactive experiences.
Most electronics are quiet to the ear, so a lot of these recordings go looking for the noise underneath. Special microphones that hear electromagnetic fields get right up to ordinary devices, and what comes back is raw Glitch material straight from the machine. Then the real hardware. Buttons and switches, plus telephones from old landlines to mobiles, so a device can click, ring and vibrate as itself. There's menu work and futuristic transitions too, which sit well beside Interface. Layer a switch click over a burst of electromagnetic noise and a prop sounds powered up. It suits sci-fi control rooms and robots, and any screen that's about to give out.
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