96 kHz, 24-bit. Formats: Stereo.
This comprehensive collection features intense sound effects with five variations each, encompassing metallic impacts, dramatic explosions, and futuristic hits for versatile professional applications.
Sound effects tag
Disturbing Sound Effects
Disturbing sound effects for the bits of a horror film you feel in your stomach. Low drones that pulse and never settle, and metal bells stretched into drones that ring like something almost alive. Then the jolt: dark impacts and slams for the moment it all goes wrong. Uneasy listening. Much of it loops, so the audience can squirm for as long as you like.
- Libraries
- 7
- Publishers
- 4
- Formats
- Stereo, surround
- Sample rates
- 96 to 192 kHz
- Licence
- Royalty-free for commercial work
- Price range
- $29 to $55
All 7 libraries tagged Disturbing
192 kHz, 24-bit. Formats: Stereo.
Sinister sound effects crafted from Tibetan bowls and bells create atmospheric drones, haunting chimes, and eerie sci-fi textures, all recorded in high-quality 192kHz/24bit format.
96 kHz, 24-bit. Formats: Stereo.
Meticulously crafted horror soundscapes blend eerie sound effects and terrifying sonic textures throughout two-and-a-half-minute compositions, offering atmospheric depth for spine-chilling productions.
96 kHz, 24-bit. Formats: Surround.
A comprehensive collection featuring 360 loopable horror sound effects, combining abstract and disturbing layers in both stereo and surround formats with varied durations for flexible sound design.
Formats: Stereo.
Professional cinematic sound effects featuring dark impacts, slams, and eerie transitions blend seamlessly to create tension-filled horror atmospheres for films, games, and multimedia projects.
96 kHz, 24-bit. Formats: Stereo.
Within 7.64GB, this collection delivers 200 dystopian sound effects featuring evolving, pulsating, and constant drones, ideal for sci-fi productions and dark ambient soundscapes.
96 kHz, 24-bit. Formats: Stereo, Surround.
Immersive sound effects blend organic field recordings with synthetic elements, creating eerie ambient soundscapes for sci-fi horror productions in both surround and stereo formats.
Disturbing usually means wrong in a way the audience can't name. Sounds that are almost familiar do more than any scream, like a breath that isn't quite a breath. The construction kit layers here are made for that, abstract beds you stack and thin out as the tension builds, close cousins of anything Eerie. When it's time, an Ominous hit after a short gap does the rest. The silence before it is half the scare.
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