192 kHz, 24-bit. Formats: Stereo.
Organic sound effects captured using Lom Geofon reach ultra-low 10Hz frequencies, delivering dark atmospheric elements in high-resolution 24Bit 192kHz format with detailed metadata.
Sound effects tag
Design Sound Effects
Design sound effects for sound designers who want raw material with character. Strange material. Metal scraped until it moans, contact mic recordings of vibrating objects, breaths turned ghostly with reverb, and geophone recordings that reach down into rumbles you feel more than hear. Most of it leans dark and abstract. These are starting points for horror and sci-fi, and for anything that should sound unlike the real world.
- Libraries
- 15
- Publishers
- 9
- Formats
- Stereo, surround
- Sample rates
- 44.1 to 192 kHz
- Licence
- Royalty-free for commercial work
- Price range
- $9 to $60
All 15 libraries tagged Design
192 kHz, 24-bit. Formats: Stereo.
Meticulously recorded geophonic sound effects, featuring infrasonic frequencies down to 10Hz, deliver dark cinematic impacts and synthesized ambiences in pristine 24-bit/192kHz quality.
96 kHz, 24-bit. Formats: Stereo.
Nature-inspired sound effects range from infrasonic frequencies to abstract designs, crafted from organic sources to create unique auditory textures for multimedia projects.
96 kHz, 24-bit. Formats: Stereo.
This diverse collection features miscellaneous sound effects spanning transportation, drilling, and recreational activities, providing a broad spectrum of everyday auditory elements.
$34.99
Add Sound Design to cart96 kHz, 24-bit. Formats: Stereo.
A sound library with nearly 1650 whoosh sound effects, capturing real-world recordings and pre-processed accent elements for diverse use.
-40%
96 kHz, 24-bit. Formats: Stereo.
Electronic noise box recordings transformed through guitar pedals create unsettling sound effects, featuring reverb, delay, and pitched elements ideal for horror and suspense productions.
Was $20.00, now $12.00
Add Sinister Textures 4 to cart192 kHz, 24-bit. Formats: Stereo.
Raw contact microphone recordings capture intricate metal vibrations and guitar sounds with unique sound effects, offering textural elements ideal for horror, sci-fi, and abstract sound design.
-21%
96 kHz, 24-bit. Formats: Stereo.
This bundle combines five volumes of royalty-free horror textures and sinister sound effects. The collection is UCS-compliant with metadata, intended for film, television, and video game projects.
Was $70.00, now $55.00
Add Sinister Textures Bundle to cart96 kHz, 24-bit. Formats: Stereo.
Capturing vibrations from household devices, this collection delivers atmospheric drone and bass sound effects, providing layered tension elements for film, gaming, and TV productions.
96 kHz, 24-bit. Formats: Surround.
A comprehensive collection featuring 360 loopable horror sound effects, combining abstract and disturbing layers in both stereo and surround formats with varied durations for flexible sound design.
44.1 kHz, 16-bit. Formats: Stereo.
Binaural recordings capture ethereal breathing patterns with diverse sound effects, incorporating reversed whooshes and varied reverb levels across 132 atmospheric elements in 8 distinct tracks.
Only on Sonniss
44.1 kHz, 24-bit. Formats: Stereo.
These 24 matched audio files feature complementary hits and rises, offering synchronized sound effects that create seamless dynamics between interconnected source elements.
$25.00
Add IMPACT to cart96 kHz, 24-bit. Formats: Stereo.
Metal-focused sound effects library featuring diverse scrapes, scratches, squeaks, and moans, ranging from subtle slides to harsh shrieks, ideal for creating intense transitions and atmospheric audio designs.
44.1 kHz, 24-bit. Formats: Stereo.
Immersive collection featuring 164 mixed ambient pads and majestic sound effects, including choirs and melodic soundscapes suitable for films, games, and multimedia productions.
96 kHz, 24-bit.
Atmospheric whooshes blend airy textures with sizzling sound effects, crafted to enhance creature movements while offering versatile design possibilities through audio manipulation.
A Geophone picks up vibration through the ground rather than the air, so it hears things a normal mic can't, like the deep groan of a structure or a rock settling. Those recordings, along with contact mics on metal, are where a lot of modern horror texture starts. Grim material. Designers pitch them down and layer them until they become a drone or the low dread under a jump scare. The whoosh libraries sit at the cleaner end, with Organic movement recorded from real objects for transitions and creature passes. Horror games and trailers soak them up.
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