192 kHz, 24-bit. Formats: Ambisonic B.
Seven hours of authentic racing sound effects, featuring classic GT cars, superbikes, and sidecars recorded from multiple track positions, capturing high-quality engine sounds with minimal crowd interference.
Sound effects tag
Citroën C1 Sound Effects
Citroën C1 sound effects from a field of modified C1 race cars going at it on track. Little city cars, wrung out hard. The microphones sat at the finish line and on the tightest corner, close to the cars, catching revs, drifts and pass-bys, then the pack driving off into the distance. Hardly any crowd noise.
- Libraries
- 4
- Publishers
- 1
- Formats
- Stereo, ambisonic
- Sample rates
- 192 kHz
- Licence
- Royalty-free for commercial work
- Price range
- $7 to $75
All 4 libraries tagged Citroën C1
192 kHz, 24-bit. Formats: Stereo.
This comprehensive motorsport sound effects collection features seven hours of high-quality recordings, capturing various racing vehicles from classic GT cars to superbikes, recorded at close range across multiple track positions.
192 kHz, 24-bit. Formats: Stereo.
Raw, high-quality sound effects capture modified Citröen C1 racing vehicles, featuring intense engine revs, drifting, and pass-by recordings from strategic track positions.
192 kHz, 24-bit. Formats: Ambisonic B.
Racing sound effects captured in B-format ambisonics include modified Citröen C1 vehicles at finish line and corner locations, featuring engine revs, drifts, and drive-bys without crowd interference.
More like this
192 kHz, 24-bit. Formats: Ambisonic B.
This motorsport recording library features authentic racing sound effects, including engine revs and drifting, captured in ambisonics at two track locations alongside bilingual commentary and ambient crowd noise.
192 kHz, 24-bit. Formats: Ambisonic B.
Clean recordings capture high-performance racing sound effects, featuring multiple luxury sports cars recorded from prime trackside locations with pristine audio clarity in convertible B-Format ambisonics.
192 kHz, 24-bit. Formats: Ambisonic B.
Racing motorcycles recorded in ambisonics deliver authentic sound effects, featuring hour-long takes of high-speed passes, engine revs, and corner maneuvers without crowd interference.
48 kHz, 24-bit. Formats: Mono, Stereo.
Comprehensive collection captures authentic sound effects from a 1991 hybrid racing car, featuring synchronized multitrack recordings of engine, exhaust, cabin, and exterior sounds using professional DPA and Sennheiser microphones.
Small engines revved to the limit have a buzzy, angry edge that bigger race cars don't, which makes these good for budget racing, karting style games and comedy chases. Proper racket. The Finish Line takes give long straights and flat-out passes. The Tight Corner takes give drifts and the engines pulling back out. A race announcer can be heard in places, which helps when the scene is an event. Recordings come in binaural and ambisonic, and a bigger racing bundle includes them with pit lane revs and plenty more series.
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