Brake Pedal sound effects sit inside full vehicle libraries, among the cabin controls and mechanical details recorded around each machine. Mostly cars and trucks, many caught onboard and from outside, and there's even a tank. Small sounds, next to very big engines.
Libraries
25
Publishers
1
Formats
Mono, stereo, M/S, surround, ambisonic
Sample rates
96 kHz
Licence
Royalty-free for commercial work
Price range
$75 to $299
FiltersAll 25 libraries tagged Brake PedalFilter by the spec, not just the subjectRecorded or designed, channel format and file count. Narrow it down before you download anything.
A collection of Husqvarna riding mower sound effects with idles, revs, and work from multiple exterior and onboard perspectives, including mixing sessions and comprehensive metadata.
Featuring meticulous sound effects from a classic 1951 Jaguar XK120, this comprehensive collection captures engine roars, interior details, and exterior maneuvers across 300 clips of pristine automotive audio.
This comprehensive vehicle sound library captures a 2019 Range Rover's sound effects from multiple angles, featuring engine, interior, and exterior recordings, alongside Ambisonic captures and custom mixes.
Professional field recordings capture 297 authentic sound effects from a 2022 Ford Fiesta WRC2 rally car, including onboard, exterior, and Ambisonic perspectives, with comprehensive mixing sessions and metadata support.
This extensive collection features 336 sound effects from a 1983 Audi Ur-Quattro, capturing both onboard and exterior recordings, including engine noises, driving performances, and detailed mechanical interactions.
This extensive collection features 2,205 vehicle sound effects from aircraft, cars, and military vehicles, including detailed recordings of mechanical components, controls, and movement across various transportation types.
96 kHz, 24-bit. Formats: Mono, Stereo, Surround, Ambisonic A.
This extensive sound effects library captures a Nissan R33 Skyline through 399 high-quality recordings, featuring multiple perspectives of engine, exhaust, and interior sounds, plus Ambisonic recordings and pre-aligned editing sessions.
Capturing both onboard and exterior sound effects, this comprehensive rally car library features 229 recordings of a Czech Škoda Fabia III R5, including engine, exhaust, mechanical, and driving performances.
Professional recordings capture a vintage Ford tractor's sound effects across 311 files, featuring multiple perspectives of engine operations, driving maneuvers, and mechanical interactions from both interior and exterior positions.
Racing enthusiasts will find 219 audio clips capturing authentic sound effects from a 1977 Ford Escort RS1800, including onboard, exterior, and Ambisonic recordings of engine, exhaust, and performance maneuvers.
96 kHz, 24-bit. Formats: Mono, Stereo, Surround, Ambisonic B.
Comprehensive collection featuring race car sound effects captured from multiple angles, including engine, exhaust, and interior cabin recordings, with detailed metadata and multichannel Ambisonic perspectives.
This comprehensive vehicle sound effects collection captures 267 recordings of a British Aston Martin DB9, featuring onboard and exterior perspectives, engine sounds, and mechanical operations across 25.51 GB.
This extensive collection captures 260 authentic sound effects from a Textron WildCat X, featuring both onboard and exterior recordings from multiple perspectives, including Ambisonic AMBEO tracks.
96 kHz, 24-bit. Formats: Mono, Stereo, Surround, Ambisonic B.
This comprehensive tank vehicle library features 525 sound effects, including engine recordings, maneuvers, and Ambisonic captures, spanning 25.22GB with multiple interior and exterior perspectives.
In a real car a brake pedal is a quiet thing: a soft press, the spring pushing back, maybe a creak in an older cabin. Easy to miss. The other pedals sit in Clutch Pedal and Gas Pedal, with the shifting in Gear Stick. Under an onboard take a brake press tells the audience the driver is slowing before the engine drops. Many of these vehicles were recorded in synchronised takes, inside and out at the same moment, so the cabin and the exterior line up.