192 kHz, 32-bit. Formats: Stereo.
This library features crowd protesting sound effects recorded during the 2024-2025 Serbian protests, including large crowds, city ambiences, drums, sirens, whistles, and horns.
$35.00
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Sound effects tag
Unrest Sound Effects
Unrest sound effects from crowds that have had enough. Angry jeering and a low, miserable murmur, with people shouting to hold their ground. Then real street protest. Sirens and air horns cut through it, recorded in the thick of the crowd and from a distance, so the scale changes as you move between them.
- Libraries
- 2
- Publishers
- 2
- Formats
- Mono, stereo
- Sample rates
- 48 to 192 kHz
- Licence
- Royalty-free for commercial work
- Price range
- $35 to $295
All 2 libraries tagged Unrest
48 kHz, 24-bit. Formats: Mono, Stereo.
An extensive collection of battle and civilian sound effects featuring high-quality recordings of 100+ people, capturing diverse crowd dynamics, combat scenarios, and natural movement sounds in outdoor settings.
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192 kHz, 24-bit. Formats: Stereo.
Authentic Bulgarian protest ambiences featuring sound effects of chanting crowds, whistles, and drums, captured across three days during peaceful environmental demonstrations in Sofia's streets.
Was $25.00, now $15.00
Add Protesting People Sound Effects to cartOnly on Sonniss
96 kHz, 24-bit. Formats: Stereo.
Comprehensive collection of crowd reactions and sound effects captured during London protests, featuring authentic cheers, surges, walla, and sirens recorded in high-quality 24bit/96khz format.
48 kHz, 24-bit. Formats: Stereo, Surround.
Capturing authentic protest ambience from South Africa, this collection delivers carefully recorded sound effects in both stereo and surround formats for diverse mixing applications.
96 kHz, 24-bit. Formats: Stereo.
Protest march sound effects recorded in Toronto, Stockholm, and Chicago, capturing call-and-respond chants, yells, drums, whistles, megaphones, and vehicle horns at distant and pass-by perspectives in 96kHz stereo.
An unrest scene needs a crowd big enough to feel dangerous and voices close enough to hear. The street recordings bring the scale of a real Protest, from inside the wall of noise to echoes across the city. The performed crowd was recorded outdoors, with mics in the middle of the action and out across a field, so the reverb is real.
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