Sound effects tag

PPSh-41 Sound Effects

PPSh-41 sound effects recorded from the real submachine gun, firing and being handled. Microphones sat at all sorts of distances, so a burst can be right in your face or rattling away far off. Separate locations give it different character, from long rolling tails to short, tight ones. Pick to suit the scene.

Libraries
1
Publishers
1
Formats
Mono, stereo, M/S, surround
Sample rates
96 kHz
Licence
Royalty-free for commercial work
Price
$149

1 library tagged PPSh-41

More like this

96 kHz, 24-bit. Formats: Mono, Stereo, Surround.
Comprehensive field recordings capture authentic MP 40 submachine gun sound effects across multiple distances, featuring diverse gunshots, handling sounds, and varied sonic characteristics in 141 detailed clips.
141 files · 3.36 GB · Metadata
96 kHz, 24-bit. Formats: Mono, Stereo, M/S, Surround.
Multiple microphone positions capture authentic sound effects of the MG 42 machine gun, featuring diverse shooting perspectives, handling sounds, and varying gunfire tail lengths across 183 detailed recordings.
183 files · 4.81 GB · Metadata
96 kHz, 24-bit. Formats: Mono, Stereo, Surround.
Historical Mosin rifle sound effects were meticulously captured outdoors and in-studio, featuring distant shots recorded through Sennheiser Ambeo and Neumann U87s, offering versatile bolt-action weapon audio for various projects.
46 files · 772.8 MB · Metadata
96 kHz, 24-bit. Formats: Stereo.
Professional-grade gun sound effects library featuring 266 weapon recordings, from pistols to machine guns, complemented by 150 bonus sounds for versatile media production needs.
416 files · 220 MB
44.1 to 96 kHz, 16 to 24-bit. Formats: Stereo.
This comprehensive collection captures authentic firearm sound effects using multiple microphones, featuring extensive variations of rifle and pistol recordings, from shooting sequences to detailed handling sounds.
254 files · 68 MB

The gunshots come with performed handling, so the Submachine Gun bursts have hands to go with them. The far perspectives matter most in a big Warfare scene, where nearly every gun is heard from a distance and a close shot would sound wrong. Mixing sessions are included, so the perspectives can be balanced by ear. It suits wartime shooters and war films that need period character.

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