Catacomb sound effects, 4 libraries in all. Most are filed under Designed and Ambience, and they come from 4 different publishers, each card showing its formats and sample rates.
Horror ambience sound effects featuring 24 loopable designed soundscapes across haunted locations including asylums, catacombs, graveyards, ghost towns, forests, hospitals, prisons, mansions and underwater shipwrecks in exploration and tension variations.
This library features sound effects including ambient textures, whispers, screams, drips, echoes, and environment sounds for dark environments. Seamless looping provided.
Professional horror sound effects library featuring meticulously mixed field recordings, creating dynamic ambient soundscapes for haunted settings, from abandoned mansions to cursed graveyards.
Diverse gun sound effects captured in various indoor spaces, including catacombs, halls, and corridors, featuring burst and single shots from multiple weapon types for authentic sound design.
Professional indoor sound effects library capturing extensive gunfire recordings of six firearms across five room types, featuring multi-channel recordings from various distances and perspectives.
Comprehensive collection of firearms captured across diverse acoustic environments, featuring sound effects from automatic weapons to handguns, recorded at varying distances in natural and urban settings.
Atmospheric soundscapes blend eerie sound effects with otherworldly textures, creating haunting ambient backgrounds that suit both futuristic and mystical storylines.
This comprehensive gun recording features clean and raw sound effects of L110A2 firing sequences, complete with dedicated foley elements and background variations for authentic military audio implementation.
Atmospheric sound effects blend natural elements with ghostly pads, featuring rainfall, footsteps, and eerie whispers across ten haunting ambient tracks designed for horror environments.
Professional thunder sound effects library featuring 150 high-resolution recordings, capturing both close and distant storms, with optional rain elements, all recorded at 96kHz/24-bit stereo.
