96 to 192 kHz, 24-bit. Formats: Mono, Stereo.
This collection offers over 1,750 foley sound effects including footsteps, fabrics, skin contact, car noises, and household objects, fully embedded with essential UCS metadata for post-production usage.
Sound effects tag
Carabiner Sound Effects
Carabiner sound effects with the snap of real climbing gear. Metal clip-ins, squeaking locks, rope pulled through with plenty of friction, and harness, quickdraw and strap handling, all worked by an experienced climber. Carabiners also turn up among a big pile of latching props, with plenty of everyday foley around them.
- Libraries
- 3
- Publishers
- 2
- Formats
- Mono, stereo
- Sample rates
- 96 to 192 kHz
- Licence
- Royalty-free for commercial work
- Price range
- $25 to $149
All 3 libraries tagged Carabiner
96 kHz, 24-bit. Formats: Stereo.
Authentic climbing equipment sound effects, including carabiners, ropes, and harnesses, captured by experienced climbers with meticulous attention to textural details and material interactions.
192 kHz, 24-bit. Formats: Stereo.
Multiple locking mechanisms and precision tools provide detailed sound effects, featuring high-fidelity stereo recordings of latches, impacts, and mechanical movements captured at 192kHz.
$50.00
Add Lockdown to cartMore like this
96 kHz, 24-bit. Formats: Mono.
Deep mechanical sound effects featuring industrial vibrations, metallic rattles, and resonant oscillations captured using tactile transducers and modular synthesis equipment.
$26.00
Add Vibration to cartOnly on Sonniss
48 kHz, 24-bit. Formats: Stereo.
These detailed recordings feature cabinet and door locks rattling alongside jingling key chains, providing realistic sound effects for security-related audio projects.
48 kHz, 24-bit. Formats: Mono.
This collection captures authentic sound effects from a traditional Victorian house, featuring creaky wooden doors, cabinets, and switches, recorded in natural wood-room acoustics, with multiple variations per object.
Climbing scenes live on detail. The camera's tight on a hand, a clip goes into a Harness, and that small sound tells the audience the rope will hold. The climbing recordings are made for exactly that, with hardhat rattles and strap noise to fill in the movement, and the wider theme carries on in Climb. Carabiners also show up in a set of latch and lock recordings, clipped and clacked alongside wrenches and tongs, which suits gadget and mechanism design.
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